Bloodborne Lore: The Moonlit Melody in three tracks скачать в хорошем качестве

Bloodborne Lore: The Moonlit Melody in three tracks

I can't get out of my mind how this motif appears in three different tracks of the game: Moonlit Melody (which plays after Rom in the Hunter's Dream), Moon Presence, and Orphan of Kos. Moonlit Melody and Moon Presence were composed by Ryan Amon, while Orphan of Kos was composed by Tsukasa Saitoh, so its recurrence isn't a coincidence. Normally this could be brushed off as a musical way to anchor the DLC to the main game, have both final bosses share the motif, but Moonlit Melody in the Hunter's Dream exists in-game. If a player has 50 insight before Rom, they hear it instead of Dream Refuge. You could argue it's diegetic, like Hail the Nightmare, although we have no clue of the music's source. The instance in Orphan of Kos is modified. I asked a music teacher about this, and quoting the response for anyone who knows how to read music: "The MP one is the same motive as the opening motive of the Moonlit Melody, but transposed from G Dorian to c minor. (After the 2nd statement of the theme, the raised leading tone, B natural, is used, which makes it not Dorian mode.) The OoK one is in g minor (not G Dorian, for the same reason), starts out with the same three notes as the Moonlit Melody (G-Bb-A), skips the next note, and uses the leading tone from the MP snippet (here, F#). In the second statement, that fourth note is not skipped and it goes on as it should (G-Bb-A-C) but is then followed by D (in the Moonlit Melody the melody goes back down to A). After that (when the horns take the melody) it becomes something else." In other words, the motif is distorted, like how the planet(? sun? moon?) in the sky of the Hunter's Nightmare is distorted. A proper celestial body would be round and full, like the moon, and this melody would come through clearly. This would all be baseless speculation if the Old Hunters DLC didn't put so much emphasis on sound. The Research Hall patients talk constantly about the sounds of the sea. The Fishing Hamlet priest says "listen for the baneful chants" and "fix your ears to hear our calls." A soundless bell is used by Brador, and hearing it heralds your death. The Orphan's sobbing at the end of his intro even mimics Gehrman's sobbing in his sleep-talking, hinting at a connection confirmed by the Plain Doll after the Orphan's defeat. "My guide, I see your voice, clearly, as it bends and bleeds." Starting to think I'm a lunatic. If you're into lunacy and LPs, finishing up a Bloodborne LP here: https://linktr.ee/zephid7