Chega de Saudade скачать в хорошем качестве

Chega de Saudade

NEW FROM VIC FIRTH: THE ED SAINDON VIBRAPHONE & MARIMBA MALLET (M38) We just finalized the design for my new signature model mallet by Vic Firth. The mallet features a weighted core, two varying layers of latex and tightly wrapped thin yarn. I was looking to create an all purpose mallet for vibes and marimba that sounded good from playing solo to performing with a band. The mallet creates a very big sound, sounds fat and round while still retaining clarity at all dynamic levels. For more information, please go here: http://www.vicfirth.com/product/buyno... Ed Saindon performing Jobim's Chega de Saudade from a concert on April 1, 2004 in Boston. The concert was part of Percussion Week at Berklee College of Music and was a tribute to Gary Burton presented for Gary's retirement from the college. The band features Larry Baione on guitar, David Clark on bass and Ron Savage on drums. For more videos, go to www.edsaindon.com Ed Saindon's new recording Depth of Emotion featuring Dave Liebman can he heard at: www.edsaindon.com www.myspace.com/edsaindon Ed Saindon's latest CD is Depth of Emotion from World Improvised Music which features the blend of Dave Liebman's soprano along with Ed Saindon's vibes, piano and marimba. The quartet's focus is on group dialogue, improvisation, and spontaneity played with an extreme dynamic range. The repertoire focuses on original compositions that evoke a wide range of emotions for the listener. The music can best be described as contemporary jazz that ranges from delicate lyricism to intense, virtuosic displays played with abandon. Ejazznews review of Depth of Emotion published January, 01, 2008: "Crafting a unique blend of contemporary jazz, pianist Ed Saindon and saxophonist Dave Liebman offer a session of cutting edge music with intelligent charts and spontaneous improvisation to produce a quality recording with "Depth of Emotion." Saindon, who not only plays the piano, but is also a four mallet vibist and plays the marimba as well, is featured as co-leader with Liebman who performs on the soprano sax. The duo are accompanied by bassist David Clark and Mark Walker on the drums forming one tight quartet. Except for two standards provided fresh interpretations here, Saindon provides all original compositions. The quartet opens the music with the melancholy "The Last Goodbye" paying homage to the late Herb Pomeroy with whom Saindon performed for many years. On this tune Liebman introduces the music with his soprano voice eventually giving way to Saindon on the vibes then reengages to finish out a somber piece. The group performs a light hearted rendition of the Kaper/Washington standard "Green Dolphin Street," where Liebman delivers some of his best solos of the album. Saindon provides an exquisite piano solo on one of the very best renditions of the Mancini/Mercer classic, "Moon River" I've ever heard as the saxophonist and pianist play off each other quite well. Saindon leads off on the piano on "Tokyo Nights," later engaged by Liebman who together deliver another beautiful harmony in one of the best tunes here. The album ends featuring the pianist performing several short vignettes on the piano titled "Piano Solo Reflections." This is one of those new 2008 releases containing a repertoire of refreshing new music that critics and the average jazz audiences will love. Assembling a unique combo, With "Depth of Emotion," Ed Saindon and Dave Liebman chart a new course in modern jazz that deserves serious attention." German music publisher Advance Music has just released Exploration in Rhythm, Volume 1, Rhythmic Phrasing in Improvisation by Ed Saindon. This is the first book of a series (for all instruments) dealing with advanced rhythmic concepts for the improvisor and composer. Saindon is a Professor at Berklee College of Music in Boston where he has been teaching since 1976 and has developed the concepts addressed in the book through his jazz improvisation course at the college. Exploration in Rhythm, Rhythmic Phrasing in Improvisation will develop and expand the rhythmic palette and vocabulary of the improviser and composer. The book specifically addresses the concept of over-the-bar line phrasing via rhythmic groupings of 8ths, triplets, 16ths and polyrhythms in 3/4, 4/4, and 5/4. Working on these concepts, players should begin to "hear" rhythms that "float over the barline" as well as develop the ability to execute phrases over longer periods of time. The end result will be a sonic erasing of the bar line and an enhanced sense of freedom with regard to rhythm and phrasing. Exploration in Rhythm includes endorsements/quotes from Dave Douglas, Dave Liebman and Hal Crook. For more information regarding Ed Saindon recordings, books, lessons, bio, concert appearances, booking information..., please go to www.edsaindon.com About this video: