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Plastic Bloom Theory Debunked stands as a formally conceived ensemble document, organized around proportion, contrast, and structural balance. Solar Houses approaches the recording as a unified field of interaction rather than a sequence of individual statements. Textures accumulate and recede with deliberate restraint, each gesture measured against the weight of the whole. This work is a conceptual ensemble recording created through human artistic direction and artificial intelligence. Artificial intelligence functions here strictly as a formal analytical and generative instrument, examining pattern, proportion, ensemble behavior, and long form balance. It operates under human judgment, historical awareness, and aesthetic intent, serving as a tool for structural inquiry rather than an authorial presence. The result is presented as a historically framed artistic document, where tension between acoustic resonance and electric articulation is shaped into an integrated, disciplined architecture of sound. Tracklist Synthetic Orchard Overture Emerald Static Fields Pink Horizon Fracture Sand Meridian Studies Collage of Fallen Branches Polychrome Irrigation Debris Cantata Vertical Typography Nocturne Tactile Surface Hymn Horizontal Band Reverie Amplified Bloom Paradox Fragmented Canopy Dialogue Saturated Sky Interval Orchard Geometry Thesis Plastic Reverberation Suite Photographic Residue Electric Soil Meditation Fading Ring Motif Stratified Light Essay Industrial Petal Chorale Archival Orchard Reconstruction Synthetic Sun Variations Graphic Landscape Counterpoint Debunked Bloom Statement Proportional Horizon Coda Conceptual Ensemble Electric piano Acoustic piano Electric guitar Double bass Electric bass Soprano saxophone Tenor saxophone Trumpet Trombone Vibraphone Synthesizer Jazz drums Percussion #rednotejazz #jazz #newmusic #ensemble #electricacoustic