请不要屏蔽我，我是真实的在记录上海！疫情之下纪录短片（封城前） скачать в хорошем качестве

请不要屏蔽我，我是真实的在记录上海！疫情之下纪录短片（封城前）

关于这支视频是在第一次被隔离48小时之后出门上街纪录，所有镜头真实纪录。（记录时间:2022/03/20-21）有人会说我的视频阴郁，存在故意抹黑。我想说并非如此，请耐心看完，也请允许发出不同的声音。视频分了三章去纪录，顺序是：众-丛-人。 1：第一章：众人。在上海被全面封闭之前，有确诊新冠的小区已经在进行集体排查，无感染的小区保持流动自由，外卖、快递都没有戛然而止，车流、人流、所有节奏都井然有序。众，同时也隐喻着一种群体力量。很多人问为什么是在倒着走？倒叙行走，是期待时光逆流而行，城市的生活、节奏、美好等等一切皆能如愿倒回去。 2：第二章：丛。没有使用从的原因是，“丛”更像是“人”在什么东西上行走一般，踩踏着、依靠着“物资”而获得安全感。其中记录了我在去买菜路上的片段，因为放弃了网购，决定去菜场看看有没有足够充沛的果蔬。居民们纷纷朝菜场聚拢，白发老人拉着小车蹒跚而行。年轻人可以依靠网络抢菜，年迈的、衷于传统的老人们只有一个渠道——菜市场。我走进附近的生鲜超市，虽然那时物价并没有开涨，但是络绎不绝的人似乎已在释放着应不供求的信号。有人看我举着相机便问，我是不是要上电视了（媒体）？他们似乎在期待自己人生中唯一的高光时刻。扯远了，那时候买菜还是比较便利的事，开始囤资的人明显上升了。在3.30号的时候，我再次走到该超市，管控已经开始，焦虑的情绪蔓延在每一个人身上。我已经不能够文明排队买菜了，必须要扯着嗓门，爬到被封锁的围墙上，抢暴涨三倍的蔬菜…… 3：第三章：人。就是我自己，如果前两章都是客观的记录事实，那么最后一段就是我主观的强烈意识。引用了李诞的两首诗《海水全黑》《听到咒语之时》，这段我改过很多遍，在念到“那海水全黑”时我一度让画面压进长时间的失控的黑暗之中，仿佛在表达我被居家的那几天沉重的心情。我知道我避免不了我的负面，但当我走在愚园路上，看到面包店前盛开了许多的郁金香，它们颜色鲜艳像极了假花，雨也逐渐停歇，钟声转过身来等我，我的心情也跟着平静多了。彼时，那家面包店里坐满了人，没有人预知到一周后被饥饿拍打醒来的画面。我把第三章的“自我意识”改成了一场梦境，从群体脱离，聚焦到个人，想表达：骤雨会停，噩梦会醒。 我喜欢第一段雨声，每回都会把它开到最大的音贝。如果有人细心注意到，三章里都出现了一把格子雨伞，这个元素熟悉且平常，是埋下的线索之一。或许你们也可以尝试倒序播放，听画面里虚晃遥远的人声。最后，我们仍在坚守着道德秩序，靠微光守护上海。今天是我被封的第三十二天，上海空城的这段时间里，我真正的体会到了近处的人搂在一起“共克时艰”的感觉。虽然我的作品微不足道，有些枯燥无味，甚至对雨天昏暗的画面颇有争议，我无法一一解释，未在上海的朋友可能很难理解上海“难民”的处境，愿能给予每一位看到这里的朋友一些力量。加油！希望疫情早点结束。 （借助了腾讯翻译，抱歉英译之处肯定会有所出入） (with the help of Tencent translation, there are bound to be differences in the English translation of apologies.) There is a true record of this video going out to the street 48 hours after being quarantined for the first time. (record time: 2022-03-20-21) some people will say that my video is gloomy and deliberately smeared. I would like to say that this is not the case. Please watch it patiently, and please allow different voices to be made. The video is divided into three chapters to record, the order is: crowd-cluster-person. 1: chapter one: people. Before Shanghai was completely closed, the community with diagnosed COVID-19 was already conducting a collective investigation. The infection-free community kept free flow, takeout and express delivery did not stop abruptly, and the flow of cars, people, and all the rhythms were in good order. At the same time, it also symbolizes a kind of group power. Many people ask why they are walking backwards. Walking backwards is to look forward to going against the current of time, and the life, rhythm, beauty and so on of the city can be turned back as desired. 2: chapter 2: clump. The reason for not using "Cong" is that "Cong" is more like "people" walking on something, trampling on and relying on "materials" to get sense of security. It recorded a clip of me on my way to shopping. Because I gave up online shopping, I decided to go to the vegetable market to see if there were enough fruits and vegetables. The residents gathered towards the market, and the white-haired old man hobbled along with his cart. Young people can rely on the Internet to grab food, and old people who are old and traditional have only one channel-the vegetable market. I walked into the nearby fresh supermarket, although prices did not rise at that time, but a steady stream of people seemed to be sending a signal that supply and demand should not be met. Someone saw me holding a camera and asked, am I going to be on TV (media)? They seem to be looking forward to the only highlight of their lives. Far from it, it was more convenient to buy vegetables at that time, and the number of people who began to hoard money increased significantly. On March 30th, I walked to the supermarket again, the control had already begun, and the anxiety spread to everyone. I can no longer stand in line to buy vegetables in a civilized way. I have to climb up to the blockaded fence at the top of my voice and grab vegetables that have risen three times as much. Chapter 3: people. It is myself. If the first two chapters record the facts objectively, then the last paragraph is my strong subjective consciousness. I quote two poems by Li Shu, "the Sea is all Black" and "when I hear the mantra". I have changed this passage many times. When I read "the Sea is all Black", I once let the picture press into the darkness that was out of control for a long time. It seems to express my heavy heart in the days when I was at home. I knew I couldn't avoid my negativity, but when I walked on Yuyuan Road, I saw a lot of tulips blooming in front of the bakery, they were so bright like fake flowers, the rain gradually stopped, and the bell turned around and waited for me. My mood is much calmer. At that time, the bakery was full of people, and no one predicted the picture of waking up from hunger a week later. I changed the third chapter of "self-awareness" into a dream, from the separation of the group, focusing on the individual, to express: showers will stop, nightmares will wake up. Today is the thirty-second day that I was blocked. I hope the epidemic will end as soon as possible.