Just Us and the Cameras: The Nine Eras of Billy Wilder скачать в хорошем качестве

Just Us and the Cameras: The Nine Eras of Billy Wilder

The life and times of Billy Wilder through the nine periods of his lengthy filmography. REFERENCES “1950.” Oscars.org, https://www.oscars.org/oscars/ceremon.... Accessed 27 November 2023. Armstrong, Richard. Billy Wilder, American Film Realist. Jefferson, N.C., Mcfarland, 201- Printing, 2000. Barnes, Valerie. A Foreign Affair: A Passionate Life in Four Languages. CreateSpace Independent Publishing Platform, 2012. Barrios, Richard. On Marilyn Monroe. Oxford University Press, USA, 25 Apr. 2023. Biesen, S. C. (1995). Censorship, Film Noir, and Double Indemnity (1944). Film & History, 25(1), 40–52. https://doi.org/10.1353/flm.1995.a395849 Bukowczyk, John J. “California Dreamin', Whiteness, and the American Dream.” 16 June 2023, https://www.jstor.org/stable/10.5406/.... Accessed 27 November 2023. Chandler, C. (2003). Nobody’s Perfect. Pocket Books. Crowther, Bosley. ““Five Graves” to Cairo,’ Drama of World Conflict, with von Stroheim and Franchot Tone, at the Paramount Theatre.” The New York Times, 27 May 1943, www.nytimes.com/1943/05/27/archives/five-graves-to-cairo-drama-of-world-conflict-with-von-stroheim-and.html. Accessed 15 Oct. 2023. Donald, Ralph. Hollywood Enlists!: Propaganda Films of World War II. Rowman & Littlefield, 2017. Gemünden Gerd. Film Europa: German Cinema in an International Context. Edited by Hans-Michael Bock et al., vol. 5, New York Berghahn Books, 2008. Gerd Gemünden. A Foreign Affair: Billy Wilder’s American Films. New York Berghahn Books, 2008. Guilbert, Georges-Claude. Literary Readings of Billy Wilder. Newcastle, UK, Cambridge Scholars Pub., 2007. Lewis, Leon. John Alton: Essays on the Cinematographer’s Art and Craft. Jefferson, North Carolina McFarland Et Company, Inc., Publishers, 2020. McBride, J. (2021). Billy Wilder: Dancing on the Edge. Columbia University Press. McNally, Karen. Billy Wilder, Movie-Maker: Critical Essays on the Films. Jefferson, Nc, Mcfarland & Co, 2011. Moosavi, Ali. “Billy Wilder and “His Sons.”” Film International, vol. 20, no. 3, 1 Sept. 2022, pp. 107–117, https://doi.org/10.1386/fint_00178_7. Accessed 4 Feb. 2025. Morris, G. (1979). The Private Films of Billy Wilder. Film Comment, 15(1), 34–39. http://www.jstor.org/stable/43451022 Nugent, Frank S. “The Screen: Four Films In Review; Columbia Presents Clifford Odets's 'Golden Boy' at the Music Hall--Metro-Goldwyn-Mayer's 'Lady of the Tropics' Shown at the Capitol--'Tropic Fury' at the Rialto--'Stop, Look and Love' at the Palace (Published 1939).” The New York Times, https://www.nytimes.com/1939/09/08/ar.... Accessed 27 November 2023. Phillips, Gene D. Some Like It Wilder: The Life and Controversial Films of Billy Wilder. Lexington, Kentucky, University Press of Kentucky, 2010. Poague, L. (1976). The Politics of Perception: Wilder’s “Stalag 17.” Film Criticism, 1(3), 19–25. http://www.jstor.org/stable/44018583 Pollock, Dale M. Billy Wilder, Movie-Maker: Critical Essays on the Films. Edited by Karen McNally, Jefferson, North Carolina, McFarland & Company, Inc., Publishers, 2011, pp. 26–41. Wimmer, Leila. “‘I Don't Have a Home!’ Paris Interregnum in Mauvaise graine.” Billy Wilder, Movie-Maker: Critical Essays on the Films. Edited by Karen McNally, Jefferson, North Carolina, McFarland & Company, Inc., Publishers, 2011, pp. 26–41. Sarris, A. (1972). Lubitsch in the thirties: All talking! all singing! all lubitsch! Film Comment, 8(2), 20-21. Retrieved from http://libproxy.usc.edu/login?url=htt... Biesen, S. C. (2005). Blackout: World War II and the Origins of Film Noir. Baltimore: Johns Hopkins University Press. Thomas, Bob. Golden Boy: The Untold Story of William Holden. St. Martin's Press, 1983. Truffaut, François. The Films in My Life. New York : Simon and Schuster, 1978. Wilder, Billy, and Cameron Crowe. Conversations with Wilder. New York, Knop, 2001.3 Credits to Abi Gol for some footage “Billy Wilder’s Smoking Scenes”