PiL Careering - Wobble & Levene REUNION!!! скачать в хорошем качестве

PiL Careering - Wobble & Levene REUNION!!!

Careering - Jah Wobble, Keith Levene, Johnny Rotter PiL's second album is generally regarded as their best, as well as one of the most influential albums of the post-punk era.[citation needed] The departure of Jim Walker made way for a series of new drummers. Auditions were later held at Rollerball Studios in Tooley Street, London Bridge. David Humphrey was their second drummer, who went on to record two tracks for Metal Box at Manor Studios in Oxford, namely "Swan Lake" and "Albatross". "Death Disco" (aka "Swan Lake") was released as a single in 1979 and reached #20 in the charts. The majority of the drumming on the album was provided by Richard Dudanski, PiL's drummer from April to September 1979. He was replaced by Karl Burns (formerly and latterly of The Fall). Following sessions took place in which Martin Atkins would show up for an 'audition' and discover himself in the middle of a recording session with the tape rolling. The recording was released on Metal Box as "Bad Baby".[7] Atkins was PiL's drummer from 1979 to 1980 and 1982 to 1985. Metal Box was originally released as three untitled 45-rpm 12-inch (30-cm) records packaged in a metal film canister (it was later reissued in more conventional packaging as a double LP set, Second Edition), and features the band's trademark hypnotic dub reggae bass lines, glassy, arpeggiated guitar, and bleak, paranoid, stream of consciousness vocals. Metal Box is starker than First Issue, more spread out and uncompromising, and scattered with bits of ambient synthesiser. The design for Metal Box was the brainchild of Dennis Morris, photographer and designer. PiL had a series of contentious live shows and behind-the-scenes controversies during their first American tour in 1980. Their appearance at the Olympic Auditorium in Los Angeles was fraught with hostile exchanges between Lydon and the audience. Tensions offstage mounted as well. PiL demanded that they work only with local promoters, bucking the promotional machinery of Warner Bros. Records, their American label. For both the Los Angeles and San Francisco appearances, PiL agreed to work with David Ferguson and his independent CD Presents label. This business arrangement pitted the band and CD Presents in a pitched battle against San Francisco-based promoter Bill Graham, who negotiated with concert venue owners and San Francisco government officials to deprive PiL of a concert location. Fearing public outbursts if the show was cancelled, San Francisco city officials instead opted to allow the CD Presents-sponsored event to proceed.[8] On 17 May the group appeared on the "staid" teenage music show American Bandstand. This was because an influential producer for the show was insistent despite objections from nearly all the show's personnel and host Dick Clark, who referring to Lydon said, "What can I expect from this asshole?" The group was not keen on appearing either, but went on. As "Poptones" and "Careering" played, Lydon and the group broke many of the show's rules by failing to lip sync, blowing his nose at the camera, bringing disco-clad audience members to himself and the group, and banging a microphone in time to the music on Clark's podium. ABC, feeling the show was a "disaster", did not want to air it, but the influential producer successfully fought for it. The show became a regular part of American Bandstand's highlight reels.[9][10] In June 1980 Lydon and Levene were interviewed on NBC's The Tomorrow Show by host Tom Snyder. The interview was typically awkward, and ended with Snyder apologising to the audience: "The interesting part is, is that we talked to these two gentlemen a couple of weeks ago, a pre-interview, apparently that went all just fine and it made great sense, and what I read about them this afternoon, but somehow it got a little lost in translation tonight. But that's probably my fault."[11] Lydon re-appeared on Tom Snyder's Show in 1997, and they both apologised to each other about what happened that night. Lydon shook it off by saying "it's just entertainment", and the interview proceeded as normal. 1980 also saw the release of PiL's first live album, Paris au Printemps -- also the group's last album featuring Jah Wobble. On this release's album sleeve, the band's name and all of the track titles were translated into French. The album cover was a painting by John Lydon depicting himself, Keith Levene and Jeanette Lee. (wikipedia) http://themissingchannel.com