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The voice is an incredibly versatile instrument because of our ability to bring out different overtones in our sound. A spectrogram analysis gives us a visual for which overtones are present and strongest. As you look at the spectrogram for each singing style, you can keep an eye out for~ -How many lines you see (how many overtones are present) -Which lines are darkest red (which overtones are strongest) -Wiggly lines or straight lines (vibrato/trills or straight tone) Whenever possible, the spectrogram reflects the solo vocal line isolated on its own without accompanying instruments. 00:00:00 Opera, Bel canto - Ah non credea mirarti from La Sonnambula 00:00:29 Musical Theater, Character voice - There's a Fine, Fine Line from Avenue Q 00:01:00 Singer-songwriter - Samson by Regina Spektor 00:01:29 Opera, Baroque - Endless pleasure, endless love from Semele 00:01:49 Country - Before He Cheats by Carrie Underwood 00:02:21 New Age - Only Time by Enya 00:02:52 Pop - 2002 by Anne Marie 00:03:21 Art Song, 19th century - En sourdine by Gabriel Fauré 00:03:53 Disney Princess, 20th century - I'm Wishing from Snow White 00:04:28 Disney Princess, 21st century - How Far I'll Go from Moana 00:04:56 Opera diva parody - O mio babbino caro from Gianni Schicchi 00:05:28 Fantasy film soundtrack - Improvisation on Evenstar from Lord of the Rings 00:06:04 Vocal percussion - Mouthpiece I. by Erin Gee 00:06:28 Indie Rock - Portions for Foxes by Rilo Kiley 00:07:02 Musical Theater, 20th century - Everything's Coming Up Roses from Gypsy 00:07:38 Musical Theater, 21st century - Mama Who Bore Me from Spring Awakening 00:08:10 Experimental - I.Go Away by Kate Soper Laurel Irene, vocalist Visit www.laurelirene.com