Mastering Open Triads on Guitar (Solfege Lesson) – Part 3 | G Major, Scale Harmony & Improvisation скачать в хорошем качестве

Mastering Open Triads on Guitar (Solfege Lesson) – Part 3 | G Major, Scale Harmony & Improvisation

Welcome to Part 3 of Dida Pelled’s deep-dive series on open triads, solfege, and modern harmony on guitar. In this lesson, we complete our first major goal: harmonizing the entire C major scale using only the three primary triads — C, F, and now G. After learning C and F in Parts 1 and 2, today we add G major open triads, explore every inversion, and learn how to use them to harmonize the notes that C and F cannot (D and B). When you combine all three major triads, the entire scale becomes playable harmonically — opening the door to real voice leading, real improvisation, and real musicianship. Watch Part 1:    • Mastering Open Triads on Guitar (Solfege L...   Watch Part 2:    • Mastering Open Triads on Guitar (Solfege L...   Dida shows how to build open triads from closed shapes, how to move cleanly across the neck, how to turn exercises into improvisation, and how to use these shapes to write songs, arrange melodies, and practice ear training. You’ll also learn how to harmonize melodies you already know — even pop songs — using only C, F, and G open triads. Patreon (PDFs, exercises, workouts):   / didaguitar   Website: https://didamusic.com/home Music: https://didamusic.com/music What You’ll Learn in Part 3: • G major open triads in all inversions • How to harmonize the full C major scale • Which notes belong to which chords (C, F, G) • How to build open triads from closed shapes • Voice leading between all three major triads • Turning simple drills into real improvisation • Songwriting inspiration using open triads • Harmonizing melodies (including modern pop examples) • The next step: moving into minor triads 00:00 – Introduction: Completing the C Major Harmony Goal 00:36 – Recap: C and F Triads Across the Neck 01:17 – Voice Leading Review (C ↔ F) 02:14 – Why We Need the G Chord (Harmonizing D and B) 03:12 – Improvising with C & F Triads Before Adding G 04:00 – Turning Exercises into Musical Improvisation 05:21 – Songwriting Inspiration Using Open Triads 06:48 – G Major Open Triads: All Inversions Explained 08:56 – How to Build an Open Triad from a Closed Shape 11:00 – Harmonizing the Full C Scale with C, F & G 12:50 – Which Notes Belong to Which Chords (C–F–G Mapping) 14:52 – Practicing Each Note Group (D → E → F → etc.) 16:13 – Improvising with All Three Major Triads 17:51 – Applying Triads to Melodies (Pop Song Example) 19:40 – Full Demonstration: Harmonized Scale Improvisation 21:17 – Final Assignment & Outro (Next: Minor Triads) #GuitarLesson #OpenTriads #JazzGuitar