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#budgetrock #garagerock #punk #music #mummies #themummies Before punk had a name, before lo-fi was cool, and before the industry figured out how to commodify rebellion, there was garage rock—a wild, DIY sound that erupted from suburban garages across America in the 1960s. Cheap guitars, fuzzy amps, pawn shop mics, and an attitude louder than the equipment created the raw foundation for what would later be known as Budget Rock. _____________________________________________________ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! / frumess 📹 OR SUPPORT THIS CHANNEL, BUY A CUP OF COFFEE ☕ https://ko-fi.com/frumessfilmsllc https://linktr.ee/FRUMESS Questions? Comments? Concerns? EMAIL US: FrumessMAIL@gmail.com ------------------------------------------------------------------------------------ FRUMESS is POWERED BY RIOT STICKERS!! Get 1000 stickers for $79 ONLY HERE - https://www.www.riotstickers.com/frumess FOR ALL OF YOUR VARIOUS NEEDS ------------------------------------------------------------------------------------ We got T-SHIRTS now! 👕 https://www.teespring.com/stores/tees... ------------------------------------------------------------------------------------- A rejection of slick production and corporate polish, budget rock grew from the same adolescent frustration and creative desperation that powered early garage bands like The Sonics, The Standells, and The Wailers. These weren’t professionals. These were teenagers with limited gear, raw energy, and zero regard for the rules of music industry gatekeepers. The Nuggets compilations, curated by Lenny Kaye in the 1970s, helped canonize these obscure, fuzz-laden tracks and recognize their cultural impact. But while garage rock sparked in the '60s, Budget Rock as an identity crystallized in the '80s and '90s, as a new generation picked up where those early bands left off. Enter acts like The Mummies, The Gories, Supercharger, and Thee Headcoats—bands that proudly recorded to 4-tracks, rejected digital fidelity, and glorified the sound of broken tape machines and blown speakers. This wasn’t a lack of resources—it was a philosophy. Stripped down. Primitive. Loud. Unapologetically cheap. Punk rock in its purest form. Budget Rock was especially strong in San Francisco, where labels like Estrus Records, In the Red, and Rip Off Records celebrated this sound. Shows were wild, often chaotic, with crowds as raucous as the bands themselves. DIY festivals like Budget Rock Fest helped bring together like-minded artists, collectors, and maniacs. What makes Budget Rock so powerful is its commitment to authenticity over perfection, to attitude over ability. In a world flooded with overproduced content, these bands embraced distortion, sloppiness, and urgency as virtues. This is the story of how Budget Rock rose from the dusty garages of the 1960s, took root in dive bars and basements, and continues to echo in every band that plugs in without caring if the amp cuts out halfway through the set.