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Music: https://megadesk.bandcamp.com/album/pit I'm sure lots of other people have watched videos of infinite combo demos and imagined a beat behind the sfx (mainly because every infinite combo video ever has at least one comment to this effect). Sometimes they even create a natural beat and it's difficult to watch without hearing it. The main beat and bass line to this track [pit] was originally written from scratch to a loop of Chun Li's Vanilla SBK infinite. At first it was just a fun exercise to see what it would sound like but the track started to evolve, more sections/melodies/riffs were added and I wondered how difficult and needlessly time-consuming it would be to do an entire video in which everything (edits, hits, whiffed moves, taunts, opponents hitting the ground, a basketball hitting Urien's face, Akums's foot touching the ground etc) were in time with the music. I've literally tried to sync as much as possible in every CMV I've ever done but the last time I spent far too long really trying to compose beats/music to combos was in an avatar fighter online combo video... http://biffotasty.blogspot.co.uk/2012... • Видео In that case I used an existing track that was heavily modified to make as much of the on screen action as possible be synced with the music. It was fun but I only had a Nintendo DS to compose the music on at that time and the combos themselves were the focus of the video, not the music. So, even though there was heavy hit syncing and even the track's BPM was dictated by one of the combos, inevitably some of it wasn't truly 'in time'. Here however, the combos themselves weren't the focus. So I could take hella time deciding on combos/set-ups that would serve the music. There was a ton of back and forth between testing/capturing/editing/composing in order to find suitable clips and then write beats/music to them. There are some other music concepts included that you don't get in combo videos too (because they'd be mental and no one would want to watch them) like, for example, repeating an entire section of clips, much like repeating a verse/section of a song. You can see it here in the ST Ryu clips. They appear twice, back-to-back while the track builds around them (with some visual editing to try to keep it interesting). In all this was around 4 months work on and off and the music eventually evolved into the title track for the new ep. Featured here is a 'Combo vid arrangement' of that track.