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I. Menace (0:00) II. Shock (6:04) III. Amok (12:16) Joseph Lulloff, tenor saxophone • Yu-Lien The, piano Audio/Video: Sergei Kvitko • www.bluegriffin.com Published by Theodore Presser Company https://www.presser.com/114-41945-wra... Program notes • by Stacy Garrop In 2000, I wrote a feisty piece called Tantrum for alto saxophone and piano. Sixteen years later, I decided to revisit Tantrum and re-imagine it as a leaner, meaner, ferocious teenager who has moved on from an infant’s temper tantrum into an all-out vengeful fury. Wrath shares a few structural similarities with Tantrum: both have three movements that follow a fast – slow – super ¬fast pattern; both works also open with a declamatory statement issued by the saxophone; and both are high in energy and very dramatic. Musically, the works are independent. One of the intriguing features of Wrath was inspired by the manner in which the piece was commissioned. Saxophonist David Stambler and I built a consortium of fifteen saxophonists who all took part in commissioning the piece. I wanted each saxophonist to have multiple opportunities to personalize the music by bringing his or her own interpretation to the notes. So I incorporated several spots in the first movement in which the saxophonists are encouraged to experiment and tinker with the way they perform the written material (you’ll hear a prime example of this in the opening material of the first movement). Additionally, near the end of the first movement, there is a spot in which the saxophonists are asked to improvise.