Fredrik Nordström: Mixing 'In Solitude' скачать в хорошем качестве

Fredrik Nordström: Mixing 'In Solitude'

Fredrik Nordström, a pioneer of the Gothenburg Sound and founder of Studio Fredman, shares his minimalist yet impactful approach to mixing 'In Solitude'. Rooted in his ‘less is more’ philosophy, Nordström’s mix balances clarity, punch, and sonic weight, preserving the human feel of the performances while enhancing their power. 🎵 Access the multitracks, stems, and audio exports for free: https://huddersfield.box.com/s/8gren2... This interview is part of Heaviness in Metal Music Production (HIMMP), a research project funded by the Arts and Humanities Research Council (AHRC), grant reference AH/T010991/1. Hosted at the University of Huddersfield, UK, the project was led by Dr Jan Herbst and Dr Mark Mynett. Learn more about HIMMP at www.himmp.net. 📢 Watch now to discover Nordström’s approach to achieving punchy, cohesive mixes with minimal processing. 🔔 Subscribe for more interviews, insights, and research into metal music production. #MetalMusic #FredrikNordström #Mixing #HIMMP #ahrcresearch Chapters 00:00 - Introduction and Mix Challenges 01:29 - Guitar Re-amping Approach 05:27 - Stereo Width and Panning 10:20 - Drum Processing 15:04 - Reverb Choices 22:00 - Vocal Processing 26:26 - Mix Consistency Across Sections 28:36 - Low-End Management 33:08 - Master Bus Processing 39:43 - Phase Alignment Discussion 43:46 - Room Mic Processing Detailed Timestamps 00:08 - Discussion of the main mixing challenges 00:39 - Approach to mixing different styles within one track 00:57 - Workflow starting with drums as foundation 01:29 - Reasons for re-amping guitars 02:13 - Process of refining guitar tones 03:08 - Guitar amplifier chain explanation 04:00 - Detailed signal path for guitar re-amping 04:45 - Description of different amp characteristics 05:27 - Stereo width approach in the production 05:46 - Use of stereo widener on master bus 06:09 - Approach to bass (keeping centered) 06:50 - Guitar panning technique (80/100) 08:24 - Distortion processing on guitar busses 09:04 - EQ approach for guitars 09:39 - Multi-band compression on guitars 10:20 - Overhead panning and placement 10:46 - Use of multi-band compression on overheads 11:29 - Symbol processing approach 12:00 - Processing approach for sum vs. individual channels 12:47 - Bass processing approach 13:42 - Bass EQ and presence boost 15:04 - Kick drum reverb approach 16:18 - Kick sample selection 17:18 - Room mic processing 18:08 - Parallel compression approach 18:43 - Room mic vs. parallel compression 19:28 - Room mics EQ and processing 19:35 - Reverb sends from channels vs. busses 20:24 - Discussion of EMT plate and Lexicon 480 reverbs 22:00 - Vocal processing approach 22:34 - Vocal reverb and delay choices 23:34 - Echo plugin for delay 24:28 - Vocal compression settings 25:10 - Vocal EQ decisions 25:54 - De-esser placement in chain 26:26 - Approach to consistent processing across different sections 26:49 - Minimizing automation throughout the mix 27:35 - Tom sample tuning for cohesion 28:36 - Low-end management between instruments 29:14 - Multi-band compression for guitar low end 29:56 - Kick and bass frequency relationship 30:19 - Anti-masking techniques for clarity 30:33 - High-frequency presence in bass (4-8kHz) 33:08 - Master bus processing chain 33:35 - Master bus compressor settings 36:18 - Mastering EQ approach 36:39 - Stereo width on master bus 37:33 - Mastering limiter settings 38:27 - Target loudness levels 39:43 - Decision not to use phase alignment 40:15 - Discussion of phase alignment pros and cons 41:27 - Effects of phase alignment on snare presence 42:12 - Frequency bracketing for bass 43:46 - Room mic role in the drum sound 44:02 - Room mic processing for cohesion 44:32 - Tom triggering challenges 45:33 - Thoughts on stereo widening for guitars 46:11 - Use of analog emulation (Heat)