Скачать с ютуб Learning Key Points Aureliano Pertile ‘A te, o cara I Puritani’ в хорошем качестве

Learning Key Points Aureliano Pertile ‘A te, o cara I Puritani’

Learning Key Points Aureliano Pertile ‘A te, o cara I Puritani’ To sing in Pertile's style, one must have a broad lower abdomen, and the breath must sink entirely to the bottom of the abdomen. This is not a preparatory step before singing—when you produce sound and sing the notes with your mouth, the tension in the lower abdomen should not change at all. Do not sing like the Three Tenors, where the abdomen empties and lacks breath the moment the sound comes out. Let me repeat: during both the preparation for singing and the singing process, the tension in the abdomen remains largely unchanged because, with the vocal cords, you must convert the sound into linguistic notes. Therefore, vocal cord articulation and sound energy cannot be confused. Nowadays, 99% of tenors have both vocal cord articulation and sound energy, which is wrong. This method leads to insufficient breath support and the inability to sustain long notes. The key is that the breath from the throat and the bottom of the abdomen should both align and flow forward toward the stomach. Pertile and every native singer close their abdomen after each phrase. In half a century, I haven't found a tenor who sings this way. This "close" is something many tenors like Corelli and Pavarotti do with their mouths, which shows that their breath is too high and they have to rely on the tongue’s upward motion to create the closure in the mouth. First, try learning this. Next time on Skype, I'll sing in Pertile's style for you and tell you how to produce Pertile's high-intensity powerful sound.