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The Basics of Modular Synthesis series of videos (47 videos) - https://bit.ly/modularbasics Here are a couple of examples you can try and see if it works for you - https://bit.ly/2VAMkim Consider joining me on Patreon - / omricohen Patching techniques and ideas that I continue updating - https://bit.ly/3o1Q3Sg Here's a video about Pointeuse from Ritual Electronic - • 6 Patches from scratch with the Pointeuse ... Here's more information about Guillotine - https://ritualelectronics.com/product... 00:00 - With the Basimilus Iteritas Alter 01:54 - With Morphagene 04:04 - With a kalimba 06:19 - With a piano loop 08:52 - With the Ts-L Here are some patch notes: --------------------------------------------- Patch 1: I'm using the Muxlicer here as the master clock, clocking the Voltage block, the Mimeophon, and the 1U Noise Tools. I have one sequence of the Voltage Block going to Hamonaig, and I'm using the trigger output of Hamonaig to trigger the Basimilus. 4 more sequences of the Voltage Block are sequencing the decay time, attack time, harmonics, and fold of the Basimilus. The Basimilus is going to Guillotine, and from there, out of both outputs, it's going to Freak for, mostly, level control. From there the signal goes to the Mimeophon. I'm using the pitch output of Harmonaig to sequence the Ts-L, and I'm sending its pulse and fold outputs to another Freak and to the Desmodus Versio. 2 more sequences of the Voltage Block are sequencing the fold and pwm, and another sequence is sequencing the main cutoff control of Freak. Both functions of Rampage are cycling and are modulating the 2 channels of Freak individually. I'm also using the 1U Noise Tools to modulate the inversion control of Hamonaig. Patch 2: I have a sample of a bass on the Morphagene and it's split and spliced. The EOSG output is triggering the Voltage Block, and 2 of its sequences are sequencing the gene size and organize what creates this unique rhythm. This is going to the Mimeophon with zone and rate all the way down, with some Halo, and from there to Guillotine. Both functions of Rampage are cycling, and 2 more sequences of the Voltage Block are sequencing both exp. controls. The MAX output is modulating the rate control of the Mimeophon for a nice phasing effect. Guillotine is going to Freak for level control and to the Desmodus Versio. Another voice is coming from Saich, being sequenced by another sequence of the Voltage Block, going through Harmonaig. Saich is going to an analog filter from Vult and to Microcell for some reverb. Rampage is modulating the VCA of Saich and the filter. From there, the signal goes to ReduXer from VoicAS for sample rate reduction. Patch 3: I have my kalimba going directly to Guiltine for amplification and distortion, and from there it goes to Magneto and Desmodus Versio. Another voice is coming from the Basimilus, which is being triggered by Muxlicer, and it's also going to the Muxlicer's all in input. From there the signal goes into Freak. The EOC output of Muxlicer is triggering Ceis, first through Pointeuse that is acting as a clock divider, and Cires is modulating the harmonics of the Basimilus. Patch 4: I have a piano loop playing back on Lubadh, and 2 sequences of the Voltage Block are sequencing the loop start. The loop is going to Guillotine, from there to Freak for level control, and Microcell in Time Stretch/Pitch Shift mode. I also have a few notes from a viola recorded onto Arbhar, and another sequence from the Voltage Block is sequencing the different layers. Patch 5: I'm mixing a few waves of the Ts-L with the 1U Quadratt, and the mixed signal is going to Athru and from there to one channel of Guillotine, and back into itself through the second channel. The Voltage Block is being clocked from Muxlicer and 2 of its sequences are going to Pointeuse, and another sequence is switching between them so I get a 32 step sequence. From there the sequence goes to Harmonaig, which is sequencing the Ts-L. The gate output of Harmonaig is triggering Ceis, which open the fold amount of Athru, and one sequence of the Voltage Block is sequencing the release time of Ceis. From Gilitine the signals go to Freak and the Desmodus Versio. The decay and release gate outputs of Ceis are triggering Rampage, which is modulating both channels of Freak. The attack gate output of Ceis is triggering the Basimilus, which is also being sequences by Harmonaig. From there it goes to LedRover and the Mimeophon, which is also clocked by Muxlicer. Saich is going to the analog filter from Vult, and from there to Microcell for some reverb Consider subscribing - https://bit.ly/2OljOPN You can find all of my stuff here - https://linktr.ee/omri.musicohen #vcvrack #modularsynth #eurorack #synthesis