Moscheles Morceaux nos. 3-5 from the Méthode des Méthodes скачать в хорошем качестве

Moscheles Morceaux nos. 3-5 from the Méthode des Méthodes

Moscheles Morceau 3 dans l'éntendue des six touches - Allegro moderato; Morceau 4 dans l'éntendue des sept touches - Allegretto; Morceau 5 dans l'éntendue d'une octave - Moderato, from the Méthode des Méthodes of Moscheles and Fétis. https://www.danielgrimwood.eu/histori... These little character pieces progressively teach the student to cover more keys with the five fingers. The first covers 6 keys, the second 7, the third the octave. this applies to both hands. In the first two, the left hand provides an accompaniment which covers the same stretch as the melody in the right hand. In the third both hands take on a more equal role. From this point the student learns that the left hand will most often take the role of harmony and accompaniment and the right hand the role of melody. The first two pieces are waltzes, both in common triple time, the first in crotchets, the second in quavers. In the first the student learns to read in one flat, in the second in one sharp. The third piece is a forthright March covering the octave in both hands. It is intended as an introduction to arpeggios and Moscheles directs the student to practise both hands separately before joining them. It tells us something of Moscheles's attitude that the arpeggio will be introduced in the context of a character-piece rather than as an exercise.