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Beethoven - Symphony No. 4, Op. 60 (1806) {Kleiber} скачать в хорошем качестве

Beethoven - Symphony No. 4, Op. 60 (1806) {Kleiber} 7 месяцев назад

orchestra

romanticism

classicism

germany

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Beethoven - Symphony No. 4, Op. 60 (1806) {Kleiber}
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Beethoven - Symphony No. 4, Op. 60 (1806) {Kleiber}

Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time. Please support my channel: https://ko-fi.com/bartjebartmans Symphony No. 4 in B-flat major, Op. 60 (1806) Dedication: Graf Franz von Oppersdorff 1. Adagio - Allegro vivace (0:00) 2. Adagio (11:30) 3. Menuetto. Allegro vivace - Trio un poco meno Allegro (20:53) 4. Allegro ma non troppo (26:17) The Royal Concergebouw Orchestra conducted by Carlos Kleiber Live 1983 See the performance here:    • CARLOS KLEIBER ~ BEETHOVEN SYMPHONY # 4 in...   The Symphony was premiered in March 1807 at a private concert in Vienna at the town house of Prince Lobkowitz. The first public performance was at the Burgtheater in Vienna in April 1808. The symphony is in four movements. It is predominantly genial in tone, and has tended to be overshadowed by the weightier Beethoven symphonies that preceded and followed it – the Third Symphony (Eroica) and the Fifth. Although later composers including Berlioz, Mendelssohn and Schumann greatly admired the work, it has not become as widely known among the music-loving public as the Eroica, the Fifth and other Beethoven symphonies. Beethoven spent the summer of 1806 at the country estate of his patron, Prince Lichnowsky, in Silesia. In September Beethoven and the Prince visited the house of one of the latter's friends, Count Franz von Oppersdorff, in nearby Oberglogau. The Count maintained a private orchestra, and the composer was honoured with a performance of his Second Symphony, written four years earlier. After this, Oppersdorff offered the composer a substantial sum to write a new symphony for him. Beethoven had been working on what later became his Fifth Symphony, and his first intention may have been to complete it in fulfilment of the Count's commission. There are several theories about why, if so, he did not do this. According to George Grove, economic necessity obliged Beethoven to offer the Fifth (together with the Pastoral) jointly to Prince Lobkowitz and Count Razumovsky. Other commentators suggest that the Fourth was essentially complete before Oppersdorff's commission, or that the composer may not yet have felt ready to press on with "the radical and emotionally demanding Fifth", or that the count's evident liking for the more Haydnesque world of the Second Symphony prompted another work in similar vein. The work is dedicated to "the Silesian nobleman Count Franz von Oppersdorff". Although Oppersdorff had paid for exclusive rights to the work for its first six months, his orchestra did not give the first performance. The symphony was premiered in March 1807 at a private concert in Vienna at the town house of Prince Lobkowitz, another of Beethoven's patrons. The first public performance was at the Burgtheater in Vienna in April 1808. The orchestral parts were published in March 1809, but the full score was not printed until 1821. The manuscript, which was for a time owned by Felix Mendelssohn, is now in the Berlin State Library and can be seen online.

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