Family, Class, and Marginalization in A Taste of Honey скачать в хорошем качестве

Family, Class, and Marginalization in A Taste of Honey

"A Taste of Honey," written in 1958 at the age of 19, is Shelagh Delaney's successful two-act kitchen-sink drama that depicts the daily struggles of ordinary working-class people and deals with poor living conditions, lack of employment, poverty, and stormy relationships. Upset with the themes of the 1950s theater focusing mostly on middle-class life (such as Terence Rattigan's play "Variation on a Theme"), Delany wanted to write about the lives of working-class people. "A Taste of Honey" revolts against capitalism and white patriarchy with a strong portrayal of two women's (mother and daughter) family and, through its lens, intersectional marginalizations of the time's British society. A contemporary read of the play highlights the author's revolutionary stance for the 1950s and stresses the urgent need for a future liberated from oppressive institutions. *** Reference list Capitani, Maria Elena, ‘A New Reality: Shelagh Delaney’s A Taste of Honey (1958)’, in Sue Kennedy, and Jane Thomas (eds), British Women’s Writing, 1930 to 1960: Between the Waves (Liverpool, 2020; online edn, Liverpool Scholarship Online, 20 May 2021), Delaney, S., A Taste of Honey, (1959) Kitchen-sink drama — Context (2023, January 12). BBC Bitesize. Oberg, A. K. (1966). “A Taste of Honey” and the Popular Play. Wisconsin Studies in Contemporary Literature, 7(2), 160–167. Rathod, Jasvant & Arts, S & Desai, Shree. (2017). Critical Evaluation of Shelagh Delaney’s A Taste of Honey.