André Jolivet - Cinq danses rituelles (1939, orchestral version 1941) скачать в хорошем качестве

André Jolivet - Cinq danses rituelles (1939, orchestral version 1941)

André Jolivet (8 August 1905 – 20 December 1974) was a French composer. Known for his devotion to French culture and musical thought, Jolivet drew on his interest in acoustics and atonality, as well as both ancient and modern musical influences, particularly on instruments used in ancient times. He composed in a wide variety of forms for many different types of ensembles. Please support my channel: https://ko-fi.com/bartjebartmans Cinq danses rituelles for piano (1939) Orchestrated (1941) I. Danse initiaque (0:00) II. Danse du héros (7:46) III. Danse nuptiale (11:39) IV. Danse du rapt (15:58) V. Danse funéraire (18:11) Orchestre National de l'O.R.T.F. conducted by André Jolivet Paul Le Flem was Jolivet's first teacher in composition. Le Flem gave Jolivet a firm grounding in classical forms of harmony and counterpoint. After hearing his first concert of Arnold Schoenberg, Jolivet became interested in atonal music, and then on Le Flem's recommendation became the only European student of Edgard Varèse, who passed on his knowledge of musical acoustics, atonal music, sound masses, and orchestration. In 1936 Jolivet co-founded the group La jeune France along with composers Olivier Messiaen, Jean-Yves Daniel-Lesur, and Yves Baudrier, who were attempting to re-establish a more human and less abstract form of composition. La jeune France developed from the avant-garde chamber music society La Spirale, formed by Jolivet, Messiaen, and Daniel-Lesur the previous year. Jolivet's aesthetic ideals underwent many changes throughout his career. His initial desire as an adolescent was to write music for the theater, which inspired his first compositions, including music for a ballet. Claude Debussy, Paul Dukas, and Maurice Ravel were to be his next influences after he heard a concert of their work in 1919; he composed several piano pieces while training to become a teacher before going to study with Le Flem. Schoenberg and Varèse were strongly evident in his first period of maturity as a composer, during which his style drew heavily upon atonality and modernistic ideas. Mana (1933), the beginning of his "magic period", was a work in six parts for piano, with each part named after one of the six objects Varèse left with him before moving to the United States. Jolivet's intent as a composer throughout his career was to "give back to music its original, ancient meaning, when it was the magical, incantatory expression of the religious beliefs of human groups." Mana, even as one of his first mature works, is a reflection of this. His later writing continued to seek the original meanings of music and its capacity for emotional, ritual, and celebratory expression.