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'Cutting Both Ways' is one of those amazing collaborations that appeared long after the 'glory days', when the wonderful 'Canterbury Scene' had made its mark - perhaps it just continued to make its mark... Keyboardist Pete Lemer is a long- lost player of the genre. Canterbury afficianados are well familiar with bassist Hugh Hopper, sax player Elton Dean, drummer Pip Pyle and Phil Miller on guitars. This recording basically show-cases a 'who's who' of Canterbury-Prog, a 'Supergroup' of sorts, and is composed and played with that magical Canterbury touch. 'Cutting both Ways' is Phil Miller's project better known later as 'In Cahoots', an adventurous amalgamation of some damn fine musicians within the British jazz-rock scene and its Canterbury off shoots. This was a legendary union of seasoned pros, three of whom have elevated themselves into prog heaven. The magnificent Hugh Hopper mans the mighty bass and is paired with Pip Pyle, both needing little introduction, as well as fabled sax man Elton Dean (and all sadly RIP) and the keyboardist Peter Lemer who simply dazzles here.