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This is the second video in a new series that will focus on generative modular ambient. In these videos I'll be using my Eurorack modular system to create meditative patches that breathe and float. I am especially interested in generative processes, allowing the modular system to "play itself" and create slowly evolving textures that have no beginning and no end. My (non-modular) ambient albums can be found here: Bandcamp: https://innesti.bandcamp.com/ Spotify: https://open.spotify.com/artist/6vjQz... Patch Notes: Marbles is randomly triggering notes on Rings, which is set to 4-note polyphony and the sympathetic strings mode (Brightness 2:30, Dampening: 7:00, Position: 9:00). The rate knob is set high to create a strummed chord effect. The output is fed into a VCA and the audio levels are slowly modulated by Pamela's New Workout to create waves of sound. The output of the VCA is going into Arbhar. The Arbhar is recording, at random intervals, the audio from the VCA and creating a layer that is gradually building upon and overwriting over itself (Dub set to 12:00). Arbhar's scan head is being modulated by a slow LFO from Ochd across the dynamic composite layer. Grains are being triggered at a moderately random rate (Intensity set to 3:00) with a mild amount of spray across the layer (Spray set to 10:00) and a moderate probability of reversed grains (about 50%). The dual audio outputs of Arbhar are going to Qu-Bit Prism for a bit of low-pass frequency modulation and a hint of delay. The audio is then mixed in 3XMIA with a field recording of a busy urban street, looped by Bitbox Micro, and fed into the FX Aid XL for reverb. That output is routed to my mixer (4ms Listen Four Quarters). Note on the video: My original plan was to film this in the field. But it did not occur to me that my portable power brick wouldn't power this new Eurorack case. I didn't discover until I was on-site that I couldn't power the system, which is why the system is static/off in the opening shots. I improvised a bit and recorded some video footage, but ultimately had to take the system home and record the audio and the "live" modular video footage there.