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Welcome to the launch of the groundbreaking interdisciplinary book Sound and Detention: Towards Critical Listening, Sonic Citizenship and Social Justice, hosted by Scene HumSam, University of Oslo Library on 19 January 2026. The book explores soundscapes in places and systems of imprisonment in order to better understand experiences of imprisonment, and to imagine alternatives to the carceral state. This book launch features input from experts in criminology, musicology, sound studies and community development, as well as an opportunity to tune in to some of the audio material that accompanies this innovative volume. Programme • Welcome with Anja Nylund Hagen, Head of Musicology Department, University of Oslo. • Introduction by co-editors Lucy Cathcart Frödén, Kate Herrity and Áine Mangaoang. • Film screening: Pros and Cons; a short film about a prison choir in Dublin who are featured in the book. • Book panel with Kate Herrity, Caroline Jones, Áine Mangaoang and Sveinung Sandberg, moderated by Lucy Cathcart Frödén. Q&A. • Reflection from local organization "Music in Custody and Liberty" with Audun Reithaug. • Film screening: Real Life; a short film about a band of women in Oslo who met in Bredtveit Prison and who continue to play music together after release. Speaker biographies Kate Herrity is a criminologist with particular interests in sound, the sensory and arts in prisons. Kate’s monograph of her PhD Sound, Order and Survival in Prison explores the social significance of the soundscape at a local men’s prison. She has co-edited a collection on sensory experience in places of confinement and social control, Sensory Penalties, and enjoys working at the boundaries between fields, ideas, academia and creative practice. She is currently co-editing The Routledge International Handbook of Sensory Criminology. Caroline Jones has twenty years of management experience and is People Engagement Manager at SOLAS, the state agency responsible for Further Education and Training in Ireland. Believing that everyone has potential, her values-led approach has been central to reshaping the culture of SOLAS over the past six years. Her leadership style is evident with the InHouse Harmony prison choir, leading to changes in thinking, emotions, beliefs and attitudes across the choir. Áine Mangaoang is Professor at the Department of Musicology, University of Oslo. As a recipient of the Norwegian Research Council’s Young Research Talents award, she currently leads the interdisciplinary project Prisons of Note. Her books include Dangerous Mediations: Pop Music in a Philippine Prison Video, winner of the IASPM-US Woody Guthrie Book Prize, and Made in Ireland: Studies in Popular Music. Lucy Cathcart Frödén is a postdoctoral research fellow at the University of Oslo. With a background in community arts practice, she often works collaboratively using music and sound and is interested in how co-creation can generate networks of solidarity and care. She has conducted research in prisons and community settings in Scotland, Ireland, Norway and Iceland and published in fields including criminology, artistic research, sound studies and political science. Her audio productions include The Art of Bridging, a podcast about songwriting in Scottish prisons. Audun Reithaug is the Creative and Administrative Director of "Musikk i fengsel og frihet" (Music in Custody and Liberty), the nationwide Norwegian programme offering music education and creative workshops in prisons and rehabilitation settings. He coordinates the organisation’s work across dozens of prisons and community settings. Previously he has worked extensively as a musician and cultural organiser, and maintains a deep commitment to music as a tool for rehabilitation, social inclusion and personal transformation. Sveinung Sandberg is a professor at the Department of Criminology and Sociology of Law, University of Oslo. His research focuses on processes of marginalization, violence, masculinity, illegal drugs, radicalization and social movements. The last decade he has also been in the forefront of narrative criminology. He is currently leading a large research team for the ERC-funded project "Crime in Latin America" (CRIMLA), collecting life-story interviews with prisoners in six different Latin American countries. Videography: Gavin Toomey and Barbora Hollan Post-production: Gavin Toomey https://www.gavintoomey.com sound For more about the book, visit: https://www.bloomsbury.com/uk/sound-a... For more about the Prisons of Note project, visit: https://www.hf.uio.no/imv/english/res...