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Medieval Christians love their body horror. Today, we will be looking at some examples of how body horror plays a role in Medieval Christian worship, politics, theater, and literature. Follow for more video essays on medieval horror and horror media! _________________________ Sources & Further Reading ___ Bynum, Caroline Walker. Wonderful Blood : Theology and Practice in Late Medieval Northern Germany and Beyond. University of Pennsylvania Press, 2007. Davidson, Clifford. "Sacred Blood and the Late Medieval Stage." Comparative Drama, vol. 31 no. 3, 1997, p. 436-458. Project MUSE. Finke, Laurie A. “The Grotesque Mystical Body: Representing the Woman Writer.” Feminist Theory, Women’s Writing, Cornell University Press, 1992, pp. 75–107. JSTOR. Julian of Norwich. “Revelations of Divine Love.” Edited by Grace Warrack, The Project Gutenberg eBook of Revelations Of Divine Love, by Julian of Norwich. Macmillan, Sarah. “Imitation, Interpretation, and Ascetic Impulse in Medieval English Devotional Culture.” Medium Ævum, vol. 86, no. 1, 2017, pp. 38–59. JSTOR. Nagy, P., & Biron-Ouellet, X. (2020). A Collective Emotion in Medieval Italy: The Flagellant Movement of 1260. Emotion Review, 12(3), 135-145. Newman, Martha G. “Considerations on Life and Death: Medieval Asceticism and the Dissolution of the Self.” Method & Theory in the Study of Religion, vol. 21, no. 2, 2009, pp. 177–96. JSTOR. Valsiner, J. (2018). The Flagellating Self. In G. Marsico (Ed.), Beyond the Mind: Cultural Dynamics of the Psyche (pp. 245-264). Information Age Publishing.