Handel - Jephtha Oratorio, HWV 70 "Waft her, Angels" (reference recording: Nikolaus Harnoncourt) скачать в хорошем качестве

Handel - Jephtha Oratorio, HWV 70 "Waft her, Angels" (reference recording: Nikolaus Harnoncourt)

Georg Friedrich Haendel (1685-1759) - Jephtha, HWV 70 Click to activate the English subtitles for the presentation (00:00-11:37) 00:00 Overture — Menuet Act One 06:50 No. 1 Accompagnato: It must be so - or these vile Ammonites (Zebul) No.2 Air: Pour forth no more unheeded pray'rs (Zebul) 13:35 No.3 Chorus: No more to Ammon's god and king 16:21 Recitative: But Jephtha comes. — Kind Heaven, assist our plea (Zebul, Jephtha) No.4 Air: Virtue my soul shall still embrace (Jephtha) 21:28 Recitative: 'Twill be a painful separation, (Jephtha Storgè) No.5 Air: In gentle murmurs will I mourn (Storgè) 27:23 Recitative: Happy this embassy, my charming Iphis (Hamor) No.6 Air: Dull delay, in piercing anguish, bids thy faithful lover languis (Hamor) 32:30 Recitative: Ill suits the voice of love when glory calls (Iphis) No.7 Air: Take the heart you fondly gave, lodg'd in your breast with mine (Iphis) 36:56 Recitative: I go; my soul, inspir'd by thy command thirsts for the battle (Hamor) No.8 Duet: These labours past, how happy we! (Iphis, Hamor) 43:49 Recitative: What mean these doubtful fancies of the brain? (Jephtha) No.9 Accompagnato: If, Lord, sustain'd by thy almighty pow'r (Jephtha) Recitative: 'Tis said. Attend, ye chiefs (Jephtha) 45:37 No. 10 Chorus: O God, behold our sore distress 49:43 Recitative: Some dire event hangs o'er our heads (Storgö) No. 11 Air: Scenes of horror, scenes of woe (Storgö) 54:56 Recitative: Say, my dear mother, whence these piercing cries (Iphis, Storgö) No. 12 Air: The smiling dawn of happy days presents a prospect clear (Iphis) 59:09 Recitative: Such, Jephtha, was the haughty king's reply (Zebul, Jephtha) 59:38 No. 13 Chorus: When his loud voice in thunder spoke ** COMPLETE PLAYLIST : LOOK THE FIRST PINNED COMMENT ** Act Three 2:05:42 No.30 Arioso: Hide thou thy hated beams, o sun, in clouds and darkness (Jephtha) No.31 Accompagnato: A father, offering up his only child (Jephtha) 2:07:55 No.32 Air: Waft her, angels, through the skies (Jephtha) 2:12:01 No.33 Accompagnato: Ye sacred priests, whose hands ne'er yet were stain'd with human blood (Iphis) No.34 Air: Farewell, ye limpid springs and floods (Iphis) 2:17:41 No.35 Chorus: Doubtful fear and reverent awe strike us, Lord 2:20:48 El And thy determin'd will declare No.36 Symphony 2:22:41 Recitative: Rise, Jephtha. And ye reverend priests, withhold (Angel) No.37 Air: Happy, Iphis, shalt thou live (Angel) 2:28:35 No.38 Arioso: For ever blessed be thy holy name (Jephtha) 2:30:24 No.39 Chorus: Theme sublime of endless praise 2:33:33 Recitative: Let me congratulate this happy turn (Zebul) No.40 Air: Laud her, all ye virgin train (Zebul) 2:36:11 Recitative: 0 let me fold thee in a mother's arms (Storgè) No.41 Air: Sweet as sight to the blind, or freedom to the slave (Storgè) 2:38:43 Recitative: With transport, Iphis, I behold thy safety (Hamor) No.42 Air: 'Tis Heaven's all-ruling pow'r that checks the rising sigh (Hamor) 2:46:19 Recitative: My faithful Hamor, may that Providence (Iphis) No.43 Air: Freely I to Heaven resign, all that is in Hamor mine (Iphis) 2:52:19 No.44 Chorus: Ye house of Gilead, with one voice, in blessings manifold rejoice! Jephtha: Werner Hollweg (tenor) Zebul: Thomas Thomaschke (bass) his brother Storgè: Glenys Linos (soprano) his wife Iphis: Elizabeth Gale (soprano) his daughter Hamor: Paul Esswood (alto) in love with Iphis Angel: Gabriele Sima (soprano) Chorus of Israelites Mozart-Sängerknaben Chorus Master: Erich Schwarzbauer Arnold Schoenberg Chor Chorus Master: Elwin Ortner Concentus musicus Wien NIKOLAUS HARNONCOURT Recorded in 1976 🔊Find CMRR's recordings on SPOTIFY : https://spoti.fi/3016eVr 🔊Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/2M1Eop2 This is Handel's last oratorio, composed at a very advanced age for the time, sixty-six, and in many ways it is the most beautiful, that is to say, the one that, most obviously freed from the contingencies of pleasing or displeasing, can go the furthest in its purified expressive will. In its unabridged version, the last and perhaps most moving of Handel's oratorios. Harnoncourt's production is magnificent; he gives dramatic majesty to the choirs while at the same time obtaining from his singers a tense performance and a deepening of sensitivity that restore all the poignancy of the work. This recording contains some of the most beautiful Handel passages to be heard. Georg Friedrich Haendel PLAYLIST (reference recordings):    • Georg Friedrich Haendel (1685-1759)