Orson Welles' "F for Fake" (1973) скачать в хорошем качестве

Orson Welles' "F for Fake" (1973)

F for Fake (French: Vérités et mensonges, "Truths and lies"; Spanish: Fraude, "Fraud") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. Initially released in 1973, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, hoax biographer Clifford Irving, and Orson Welles as himself. F for Fake is sometimes considered an example of a film essay. In addition to the 88-minute film, in 1976, Welles also shot and edited a self-contained nine-minute short film as a "trailer", almost entirely composed of original material not found in the main film itself. Orson Welles – Himself Elmyr de Hory – The Art Forger Oja Kodar – The Girl Joseph Cotten – Special Participant François Reichenbach – Special Participant Richard Wilson – Special Participant Paul Stewart – Special Participant Mark Forgy – Assistant to Elmyr de Hory Alexander Welles – Special Participant (as Sasa Devcic) Gary Graver – Special Participant Andrés Vicente Gómez – Special Participant Julio Palinkas – Special Participant Christian Odasso – Special Participant Françoise Widhoff – Special Participant Peter Bogdanovich – Special Participant (voice) William Alland – Special Participant (voice) Howard Hughes - Himself (uncredited) Jean-Pierre Aumont – Himself (uncredited) Laurence Harvey – Himself (uncredited) Clifford Irving – Himself (uncredited) Nina van Pallandt – Herself (uncredited) Orson Welles was hired to edit a documentary by François Reichenbach about the art forger Elmyr de Hory. The film grew over time to encompass de Hory, as well as de Hory's biographer Clifford Irving, who was revealed to be a forger himself. Keith Woodward explains: "following Irving’s hoax, Welles and his cinematographer, Gary Graver, shifted gears, scrambling to keep up with the Hughes affair, adding new shots, re-thinking the narrative, re-editing, re-combining different themes, incorporating emerging material."[4] Welles used these circumstances to produce a meditation on the nature of fakery, which he called "a new kind of movie … it’s a form, in other words, the essay, the personal essay, as opposed to the documentary."[5] Several storylines are presented in the film, including those of de Hory, Irving, Welles, Howard Hughes and Kodar. About de Hory, we learn that he was a struggling artist who turned to forgery out of desperation, only to see the greater share of the profits from his deceptions go to doubly unscrupulous art dealers. As partial compensation for that injustice, he is maintained in a villa in Ibiza by one of his dealers. What is only hinted at in Welles's documentary is that de Hory had recently served a two-month sentence in a Spanish prison for homosexuality and consorting with criminals. (de Hory would commit suicide two years after the initial release of Welles's film, on hearing that Spain had agreed to turn him over to the French authorities.) Irving's original part in F for Fake was as de Hory's biographer, but his part grew unexpectedly at some point during production. There has not always been agreement among commentators over just how that production unfolded, but the now-accepted story[6] is that the director François Reichenbach shot a documentary about de Hory and Irving before giving his footage to Welles, who then shot additional footage with Reichenbach as his cinematographer. In the time between the shooting of Reichenbach's documentary and the finishing of Welles's, it became known that Irving had perpetrated a hoax of his own, namely a fabricated "authorized biography" of Howard Hughes (the hoax was later fictionalized in The Hoax). This discovery prompted the shooting of still more footage, which then got woven into F for Fake. Interweaving the narratives even more, there are several pieces of footage in the film showing Welles at a party with De Hory, and, at one point, De Hory even signs a painting with a forgery of Welles's signature. Some of Hughes's career is outlined in the form of a parody of the "News on the March" sequence in Citizen Kane. Welles also draws parallels between the De Hory and Irving hoaxes and his own brush with early notoriety by including a recreation of part of his 1938 War of the Worlds radio drama, which had simulated a newscast about a Martian invasion and sparked panic among some listeners. #orsonwelles #peterbogdanovich #documentary #fraud #howardhughes