Indiana Jones & The Dial Of Destiny | VFX Breakdown | Hotel L'Atlantique скачать в хорошем качестве

Indiana Jones & The Dial Of Destiny | VFX Breakdown | Hotel L'Atlantique

CHAPTERS: 00:00 Final Sequence 05:01 VFX Breakdown / Befores & Afters In this sequence, Indiana Jones (Harrison Ford), Helena Shaw (Phoebe Waller-Bridge) and Jürgen Voller (Mads Mikkelsen) find each other in a private meeting room at the Hotel L’Atlantique in the city of Tangiers, Morocco. Filled with seedy characters from around the globe, what begins as a fast-paced black-market auction over the film’s titular artifact, the Dial of Archimedes, quickly becomes an all-hands-on-deck fistfight and shootout in the classic style of the Indiana Jones franchise. The auction scene was filmed on Arri Alexa Mini LF, with Panavision T-Series anamorphic lenses. A two-story physical set of the hotel was constructed, surrounded by a large blue screen beyond the set’s windows. Visual Effects handled all imagery of the exterior, conveying the opulence of the Hotel L’Atlantique looking out over the wide landscape of Tangiers, and providing flexibility for both the shoot and editing of the sequence. Director James Mangold's vision for the exterior of the hotel featured a continuously evolving lighting transition: as the tension rises at the auction, so does the sun in the background, shifting from pre-dawn to post-sunrise over the course of the edit. The visual effects compositing team was provided with a 2D matte painting for the Tangiers background. This image was subdivided with masks in Nuke, separating the distant sky, midtown city, and nearby downtown areas. Referencing stock footage of a Moroccan sunrise, color corrections of each layer were independently animated in the matte painting, creating a 5,600 frame, night-to-day time-lapse element to be used throughout the sequence. Though the backdrop on set was evenly lit, the varying density of the blue-screen visible through each of the windows created a challenging scenario for the compositing team. An additive workflow was customized for the sequence, trading traditional alpha-based keying with a series of channel math operations based on spill suppression of the blue-screen and dynamic clean-plates painted for each shot. This allowed for the preservation of details from the on-set photography including smoke, reflections, and the glow of the building’s neon sign. Additional VFX tasks included CG set extensions utilizing HDRI’s captured on-set, projected on LiDAR geometry, and rendered in Maya. 3D photogrammetry was also used for an element to replace a stunt performer’s face with young actor Ethann Isidore. It took a true team effort to bring this sequence to life, from pre-production through post. The scope of work demanded a versatile roster of compositing artists, balancing artistic talents and technical execution across more than 75 shots delivered at Cinema 4k DCP resolution. LucasFilm In-House VFX Team: Andrew Whitehurst - Production Visual Effects Supervisor Kathy Siegel - Production Visual Effects Producer Francesco Panzieri - Compositing Supervisor Clint G. Reagan - Visualization Supervisor Johnathon Randall Cormier - Matchmove & Layout Artist Caitlin Content - Lead Compositor Ben Campanaro - Compositor Brian Hanable - Compositor #IndianaJones #DialOfDestiny #Lucasfilm #VFX #Breakdown #HotelLAtlantique (All the videos, songs, images, and graphics used in the video belong to their respective owners: LucasFilm, Walt Disney Studios.)