Sarah Kerrigan is Betrayed. Cinematic. Starcraft 2: Wing of Liberty. Trailer (Reformatted 16:9) скачать в хорошем качестве

Sarah Kerrigan is Betrayed. Cinematic. Starcraft 2: Wing of Liberty. Trailer (Reformatted 16:9)

Ten days after the fall of Antiga Prime, Mengsk's revolutionary movement had reached Tarsonis, the Confederate capital world. Duke planned to assault the central space platform, allowing a small force to penetrate to the surface of Tarsonis. Kerrigan, Raynor and Liberty fought their way through the streets of Tarsonis City and Mengsk's forces successfully defeated the Confederates, but his next move surprised and dismayed Kerrigan and Raynor; his forces planted psi emitters. Billions of zerg were lured to Tarsonis, laying waste to the Confederacy's defenses. The protoss followed, descending upon the zerg's primary hive. Mengsk ordered Kerrigan to protect the primary zerg hive from the protoss Expeditionary Force, allowing the zerg to complete the Confederacy's destruction. Raynor was getting increasingly uncomfortable with Mengsk's leadership and motivations, but was unable to convince Kerrigan to allow him to accompany her. Kerrigan completed her mission but was in turn overrun by the zerg. Mengsk callously refused to assist Kerrigan's troops; instead, the rebel fleet disengaged from the Tarsonian system. Mengsk did so due to her lack of political reliability and because he wanted long-due vengeance for the deaths of his family. The abandonment was the last straw for Raynor. He and Raynor's Rangers left the Sons of Korhal. Their first action as an independent group was an attempt to rescue Kerrigan; rising zerg activity forced them to withdraw before they could locate her. Betrayal of Sarah Kerrigan Cinematic (Reformatted) Starcraft 2: Wing of Liberty I decided to reformat this video to 1080p Full HD ratio (that is 16:9). Originally video was 1920:818 (that is 2,35:1, close to the movie widescreen ratio of 2,39:1). But if you don't have the monitor with that aspect ratio (and I very doubt that you do), you'll get "black lines" above and below video that I personally don't like. But I didn't simply "rescaled" the video - thus you would miss many important details, because in some frames the meaningful part is located not at the very center but on the left or right side of the frame. So, I cut the original video into 21 piece defined by the scene and keyframes and imposed different scaling, spatial interpolation, i.e. transitions, to each of the pieces. Thus almost nothing notable material from the video was lost.