Galuppi: Complete Concertos for Strings скачать в хорошем качестве

Galuppi: Complete Concertos for Strings

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Gal... Physical purchase: http://www.brilliantclassics.com/arti... Composer: Baldassare Galuppi Artist: Ensemble StilModerno No score survives for the seven ‘Concerti a quattro’ recorded here: they are preserved only in a set of manuscript parts in Modena’s BibliotecaEstense. They may not have belonged together as a set, given their diversity of style, but together they present a most attractive compilation of a personal voice at a turning point in musical history around the beginning of the 18th century. Galuppi took the best of both worlds: the solid counterpoint of his teachers (Lotti and Marcello) and the vivid innovations of the younger generation such as Vincenzo Manfredini, presently made famous by Cecilia Bartoli’s Barock adventures into hitherto unknown vocal repertoire, but also long famous as one of the founding fathers of the string quartet. Nonetheless, we can be sure that Galuppi did not intend to write for string quartet: the basso part is still a continuo part, because a few numbers are still present in figured bass; here and there are also written notes such as ‘violoncello solo’. In some of them the style is simple, with the typical structure of the opera symphony (a French-style overture followed by a dance movement). Elsewhere, Galuppi conceives larger forms: both the C minor and G minor works open with highly affecting, chromatically inflected slow introductions full of aching suspensions. In this recording, the continuo part is provided by a chamber organ. Founded in 2005 and this year celebrating its tenth anniversary, Ensemble StilModerno’s discography includes the Sinfonie Op.5 by Giovanni Battista Bassani (BC94259), a disc of which MusicWeb International’s reviewer remarked: "Ensemble StilModerno is thoroughly at home in the idiom. The instrumental interplay is perfectly judged though their performance is clearly thoroughly informed by a knowledge of baroque practice. They choose to play on modern instruments. Only those who care more about authenticity than about music will be troubled by their choice. Anyone who loves the instrumental music of this period is urged to hear this." 00:00:00 Concerto primo in G Major: I. Andante – Allegro 00:02:08 Concerto primo in G Major: II. Andante 00:04:19 Concerto primo in G Major: III. Allegro assai 00:05:30 Concerto quinto in B-Flat Major: I. Grave sostenuto 00:11:04 Concerto quinto in B-Flat Major: II. Allegro e spiritoso 00:13:56 Concerto quinto in B-Flat Major: III. Allegro 00:16:13 Concerto che serve d’introdutione in G Minor: I. Grave, e adagio 00:19:12 Concerto che serve d’introdutione in G Minor: II. Spiritoso 00:22:18 Concerto che serve d’introdutione in G Minor: III. Allegro 00:25:26 Concerto secondo in D Major: I. Maestoso 00:28:30 Concerto secondo in D Major: II. Allegro 00:30:43 Concerto secondo in D Major: III. Andantino 00:32:19 Concerto sesto in A Major: I. Largo 00:36:54 Concerto sesto in A Major: II. Allegro 00:40:07 Concerto sesto in A Major: III. Andante 00:42:17 Concerto terzo in C Minor: I. Grave 00:45:59 Concerto terzo in C Minor: II. Allegro 00:49:59 Concerto terzo in C Minor: III. Andante 00:52:31 Concerto quarto in E-Flat Major: I.Largo 00:55:45 Concerto quarto in E-Flat Major: II. Allegro 00:57:51 Concerto quarto in E-Flat Major: III. A tempo