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This video chronicles the educational purpose of “The Neil Peart Experiment,” performed by session drummer Ken K Mary, and is PART 4. THIS VIDEO IS FOR EDUCATIONAL PURPOSES ONLY, AND IS NOT MONETIZED. (Neil is one of Ken's drumming influences, and Ken is a great fan Neil's composition and performance.) Here is the experiment: could a session drummer replace the existing drum tracks, that were not performed to a click track, and make the replacement parts almost seamless in tone and performance? Would the new drum tracks be able to lock to the existing musical tracks without any issues? Could the song sound close to the same? Could this be done all in one pass, like the original recordings? PART 4 REVIEWS THE GEAR USED, THE CHALLENGE OF MATCHING TONES FROM ALMOST 45 YEARS AGO, DIGITAL VS ANALOGUE, WHAT LESSONS WERE LEARNED, AND A REVIEW OF THE MOST SUCCESSFUL AND UNSUCCESSFUL PARTS OF THIS EXPERIMENT AS WELL AS KEN'S EVALUATION ON HOW HE FELT HE DID UNDER THE CHALLENGE RESTRICTIONS. FOR FULL "STUDIO RULES" FOR THIS RECORDING, REVIEW "THE NEIL PEART EXPERIMENT" - PART 1. "One of the most challenging (and best) aspects of being a musician is you never stop learning and it’s often the legacy of the masters (such as Neil Peart) where lies the educational lessons necessary to assist in our desire to improve!" - Ken Mary Ken uses Pearl Drums, Sabian cymbals, Aquarian drum heads, Vater drumsticks, Stick Gripps, and RB Snares. Thumbnail photo by Dee Ann Deaton