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AROUND THE CAMPFIRE..... Action and adventure short stories of men and animals in the wild. AUTHOR BIOGRAPHY..... Sir Charles George Douglas Roberts, KCMG FRSC (January 10, 1860 – November 26, 1943) was a Canadian poet and prose writer who is known as the Father of Canadian Poetry. He was almost the first Canadian author to obtain worldwide reputation and influence; he was also a tireless promoter and encourager of Canadian literature He published numerous works on Canadian exploration and natural history, verse, travel books, and fiction. At his death he was regarded as Canada's leading man of letters. Besides his own body of work, Roberts is also called the Father of Canadian Poetry because he served as an inspiration and a source of assistance for other Canadian poets of his time. Roberts, his cousin Bliss Carman, Archibald Lampman and Duncan Campbell Scott are known as the Confederation Poets. Roberts was born in Douglas, New Brunswick in 1860, the eldest child of Emma Wetmore Bliss and Rev. George Goodridge Roberts (an Anglican priest). Rev. Roberts was rector of Fredericton and canon of Christ Church Cathedral, New Brunswick. Charles's brother Theodore Goodridge Roberts and sister, Jane Elizabeth Gostwycke Roberts, would also become authors. Between the ages of eight months and fourteen years, Roberts was raised in the parish of Westcock, New Brunswick, near Sackville, by the Tantramar Marshes. He was homeschooled, "mostly by his father, who was proficient in Greek, Latin and French." He published his first writing, three articles in The Colonial Farmer, at twelve years of age. Roberts's first book, Orion and Other Poems (1880), was a vanity book for which he had to pay an advance of $300, most of which he borrowed from George E. Fenety, the Queen's Printer for New Brunswick, soon to become his father-in-law. Orion was "a collection of juvenilia, written while the poet was still a teenager. Critic Desmond Pacey wrote in 1958 that "when we remind ourselves that it was published when the poet was twenty ... we realize that it is a remarkable performance. It is imitative, naively romantic, defective in diction, the poetry of books rather than life itself, but it is facile, clever, and occasionally distinctly beautiful.... It is the work of an apprentice, who is quite frankly serving under a sequence of masters from whom he hopes to learn his art. --------------------------------------------------------------------------------