Joe Rogan's Friends Are Starting To Turn On Him скачать в хорошем качестве

Joe Rogan's Friends Are Starting To Turn On Him

🌵 Remember when Austin was hailed as the next comedy El Dorado? In 2020 Joe Rogan left L.A. for Texas, and an entire posse of podcast heavy-hitters followed, chasing low taxes, looser rules, and stage time at Rogan’s Comedy Mothership. Fast-forward to 2025 and the honeymoon is officially over—several of those same comics are now roasting the Lone Star State (and, by extension, the Rogansphere) harder than any heckler ever could. 🕶️ Brendan Schaub admits on The Fighter & The Kid that he “misses his community and routine” in L.A., calling Austin “no L.A.” after just a few months in town. 🔥 Tim Dillon torched the city as “a soulless place that should be burned to the ground” before packing up and moving back to California—proof that even the promise of zero state income tax couldn’t buy his love. ⚡ Shane Gillis labeled Texas “f---ing blows” after a storm knocked out his power for three days, leaving him to sweat alongside an invasion of bugs and rant about the state’s isolated power grid. 🎤 Mark Normand calls Austin’s once-hyped comedy boom a “punchline,” flatly declaring that “moving to Texas is over” while roasting the brutal heat and growing homeless crisis. 🤔 Bryan Callen hasn’t torched Texas quite as publicly, but podcast chatter suggests he’s privately questioning whether the move will stick—fueling rumors of another California comeback. (Stay tuned.) Is the Rogansphere cracking? With each comic’s star rising independently—Netflix specials, network deals, and sold-out tours—they no longer need Rogan’s patronage to sell tickets. The result? A new willingness to criticize both Austin and the gravitational pull of JRE itself. Are we witnessing the first fissures in Rogan’s once-tight orbit, or just comics being comics? Hit LIKE, drop your take in the comments, and SUBSCRIBE for the full breakdown. #joerogan #shanegillis #brendanschaub #bryancallen #timdillon #marknormand DISCLAIMER I create and narrate videos for entertainment purposes only. Please DO NOT contact or harass anyone mentioned in this video, thank you. ALL CLIPS OBTAINED AND USED UNDER FAIR USE: The Copyright Laws of the United States recognizes a “fair use” of copyrighted content. Section 107 of the U.S. Copyright Act states: “Notwithstanding the provisions of sections 106 and 106a, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.” This video, and my YouTube channel in general, may contain certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine for one or more of the reasons noted above.