Bach BWV 156 arr.4gtr скачать в хорошем качестве

Bach BWV 156 arr.4gtr

guitar built and played by Jason Wehr vpvsc2 Bach 156 24 0206 apGTPch2at2035 802 7 5 5MO This video demonstrates screen capture tools designed to improve performance. Wave-form (beat-resolution), Tuner, peak meter, beat mapped timeline and video, syncronized to a score. Having the performance sync'd to a score allows one to easily identify errors, notes that sound out-of-tune or out-of-balance; offering, as well, visual identification of performance gestures that are awkward/inefficient/strained. The same techniques can be applied to professional recordings with the visualizations aiding as tools for comparison of ornaments and artistic elements (color, volume, articulation, rubato, tempo modulation, fingering and orchestration). By comparing errors and interpretative differences between performances, one can triangulate (more/exactly/less) to refine the interpretation, identify and systematically eliminate idiosyncratic elements and recurrent errors. By comparing similarities across several reference performances, one can make loose assumptions about the (off the page) intent of the composer, esp. regarding phrasing, relative cadence weight and tempo. By comparing one's own performances to reference recordings, it is easy to identify idiosyncratic elements, wrong notes, bad subdivisions, and to glean ideas about dynamics, color, style and phrasing. Take lessons from a master. Let your favorite recordings, be your own teacher. Synchronize your sheet music to your favorite recording and play unison duets with a master. Then play along with the video with the sound off. You can beat map the tempo in your DAW then adjust them midi playback to mirror those tempo modulations so that when you read along, you're not rushing or plodding through, using the movements of the score as a hidden 'conductor' for your performance. Your self-recordings are the mirror by which you refine your own playing and evaluate progress. The practice of recording yourself, and listening back (every day) will allow you to distinguish the most subtle changes in your recording setup (like recording to a smartphone or recording to a computer, with the same interface and microphones). When you understand your gear, you can make informed decisions regarding convenience versus optimal sound quality. here's a performance of the same piece from the day before I recorded this    • Bach BWV 156 arr4gtr   Notwithstanding the provisions of sections 106 and 106A [17 USCS Sects. 106, 106A], the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright