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How do pro artists draw anatomy and make it feel like it is a natural part of the artwork they create? In this video, Senior Watts Instructor Erik Gist will answer that question, and show you how he approaches practicing anatomical drawing. You’ll take a real time look at drawing a finished torso study, covering general structure, muscle rhythms, manipulation of reference and rendering tricks to bring it all together. If you'd like the reference to draw along, use the link below https://www.wattsatelier.com/referenc... Watts Atelier has a lot to offer if you want to improve your ability to draw the figure and draw/paint from life. Check out the resource below for a free look at our program. https://www.wattsatelier.com/shop/fre... If you're curious about our online or in person school in Encinitas, California, visit our site: https://www.wattsatelier.com/ Link to Materials (select charcoal drawing)*: https://www.wattsatelier.com/materials About Erik Gist: E. M. Gist began his study of art with Jeff Watts in 1996. Three years later, Erik's training developed into teaching where he is now one of the lead instructors at Watts Atelier of the Arts. He began his career as a professional artist in 1998, eventually transitioning into genre illustration, and he painted his first comic cover in 2007. Erik’s clients include Dark Horse Comics, Marvel Comics, DC Comics, BOOM! Studios, Disney Entertainment, TOR Publishing, Wizards of the Coast, Upperdeck, and Palladium Books. His work has been exhibited in Spectrum: the best in contemporary fantastic art for over a decade, including a nomination in the Comic category in 2019. Erik has been a finalist for 2024 Eisner Awards, Chesley Award, Rondo Award, and Pulp Ark Award. He won the Horror Comics Award for best cover in 2012, the Robert E. Howard Foundation "Rankin" award, gold and silver SILA West awards in 2021 and repeated as a gold medal winner in 2022. Recently you can see his work on the covers of numerous comics from Marvel, DC, BOOM!, Magic the Gathering cards, as well as many other publications. Helpful drawing terms: Lay-in: The first stage of a drawing or painting and primarily concerned with location, angles and placement. It is usually done very lightly and noncommittally, allowing for subsequent layers of information to be added. The lay-in covers the framework and basic proportions. Reilly Method: Frank Reilly was a famed art instructor from New York’s Art Students League. He developed a method derived from a rhythmical grid system known as the Abstraction to navigate the complexities of the head and figure. It uses a rhythmical grid system that was designed off of key anatomical landmarks and muscle rhythms. Think of it as a GPS system for navigating the human form. Comparative Measurement: Estimating your measurements by making very accurate visual assessments or guesses of the scale or size of what you are seeing by comparing your decisions to other decisions. This technique relies heavily on judging angles, vertical lines or plumb lines, and negative and positive shapes to navigate the figure or head. Cross-hatching: Utilizing a linear (line-driven) approach to describing form by creating patterns of density that represent either shadows or halftones. It can commonly be seen in graphite and inking work where line is being used to represent tone. Anatomical Nuances: The subtle aspects of human anatomy. These are the often-overlooked aspects to drawing that, when utilized, offer a greater subtlety to your drawings or, when left out, cause the drawing to have a less-than-stellar result. *No links on this page are sponsored or affiliates of Watts Atelier of the Arts LLC. These are just the materials we use.