Composition With Melody and Harmony Derived From Pitch-Class Set 6-7 скачать в хорошем качестве

Composition With Melody and Harmony Derived From Pitch-Class Set 6-7

Using Pitch-Class Set (PCS) 6-7, create a composition with melody and harmony derived from this source material. Interpreting PCS 6-7 as a symmetric pitch-scale, we derive Schillinger Melodic Forms, chained into a continuity through transposition and rhythm superimposition. Pedal point technique establishes a Primary Axis and rootedness on pitch-class C. Using set properties such as the interval vector and the set complement we obtain harmony with incomplete 7th chords, subsets with chord tension level control based on Hindemith chord group classification, and polychords with stacked triads. All techniques are combined in a synthesizer orchestral composition example. There's a companion document with text, diagrams and score excerpts available in the webshop. Contents: 00:00 Opening titles 00:24 Section 1 Introduction: what this video is about 01:02 Section 2 Pitch-Class Set 6-7 01:57 Section 2.1 Representation, staff notation, pitch-disc and keyboard diagram 02:17 Section 2.2 Properties, symmetric scale, interval vector, set complement 03:50 Section 3 Melodic Form and Continuity 03:53 Section 3.1 Elementary Schillinger Melodic Form, ordered note series from PCS 04:55 Section 3.2 Melodic continuity, transformations, rhythm and transposition 07:52 Section 4 Harmony 07:55 Section 4.1 Pedal point, primary axis, rootedness 08:56 Section 4.2 Incomplete diatonic chords from set complement, voice leading 11:38 Section 4.3 PCS subsets, triads to hexachords, Hindemith chord group classification 14:59 Section 4.4 Polychords, stacked triads, SM7, S4, different voicings 16:32 Section 5 Composition Example 19:10 Summary and conclusion #PitchClassSet #Melody #Harmony Support video tutorial production on this channel? PayPal https://www.fransabsil.nl/htm/archive... Website https://www.fransabsil.nl