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Which camera truly shines when shooting in the highest quality ProRes RAW HQ? We put the Sony a7S III (S-Log3) and the Lumix S1 II (V-Log) head-to-head to compare their raw image quality when converted directly to Rec.709. This is a pure, unadjusted codec comparison. The only change made to the footage was the official Log-to-Rec.709 color conversion applied in DaVinci Resolve. We made no other adjustments—no exposure tweaks, no color correction, no saturation changes, and no noise reduction. See the differences in detail, color science, noise floor, and dynamic range delivered by each camera's raw data. Key Topics Covered: ProRes RAW HQ Quality Comparison Sony S-Log3 vs. Lumix V-Log Look 12MP vs. 24MP Sensor Detail Log-to-Rec.709 Conversion in DaVinci Resolve Real-world RAW performance comparison Don't forget to like and subscribe for more in-depth camera comparisons and filmmaking tutorials! #SonyA7SIII #LumixS1II #MirrorlessCamera #FullFrame #CinemaCamera #HybridCamera #CameraReview #CameraComparison #BestCameraForVideo #DigitalPhotography #DSLR #SonyAlpha #PanasonicLumix #Videography #Filmmaking #Cinematography #ProResRAW #ProRes #RawVideo #CodecComparison #4KVideo #6KVideo #8KVideo #HighQualityVideo #BitDepth #FrameRate #SlowMotion #H265 #H264 #ColorGrading #ColorCorrection #ColorScience #LogFootage #Rec709 #SLog3 #VLog #LUTs #LookUpTable #DaVinciResolve #PremierePro #FinalCutPro #VideoEditing #PostProduction #Workflow #CineStyle #ImageQuality #DynamicRange #LowLight #ISOPerformance #NoiseTest #Sharpness #Detail #Resolution #Sensor #PixelPeeping #RollingShutter #GlobalShutter #Exposure #Lenses #CinemLenses #PrimeLens #ZoomLens #Anamorphic #LensReview #Optics #Bokeh #Aperture #ShutterSpeed #MountAdapter #EMount #LMount #MFT #CinematicLighting #Gaffing #Grip #3PointLighting #KeyLight #FillLight #BackLight #LEDLighting #Fresnel #Softbox #PracticalLighting #FilmSet #LightingTutorial #ArtOfLight #Photography #Tutorial #Review #Tech #TestFootage #BlindTest #Creative #Vlogger #ContentCreator #YouTubeCreator