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Pleure et Applaudit (Cry and Clap), (1960-1961) Composed, performed, recorded and realized by Jean Dubuffet In 1960-61, Dubuffet recorded himself playing a variety of instruments for which he had no training, and used a mixing box to produce musique concrete works. The relative primitiveness of his equipment gives them a raw sound reminiscent of the pioneering musique concrete works of Pierre Schaeffer and Pierre Henry, from a decade earlier. "I believe that our western music is an avatar among all the possibilities that were offered to music. Now, by an optical error, one imagines that this is the only music possible, while, in reality, it is only a very specious music among millions of possibilities that were available and, without doubt, will be available tomorrow... In my music I wanted to place myself in the position of a man of fifty thousand years ago, a man who ignores everything about western music and invents a music for himself without any reference, without any discipline, without anything that would prevent him to express himself freely and for his own good pleasure. This is what I wanted to do in my painting too, only with this difference that painting, I know it--western painting of the last few centuries, I know it perfectly well--and I wanted to deliberately forget all about it. But I do not know music, and this gave me a certain advantage in my musical experiences. I did not have to make an effort to forget whatever I had to forget. I find that true music should not be written, that all written music is a false music, that the musical notation which has been adopted in the west, with its notes on the staves and its twelve notes per octave, is a very poor notation which does not permit to notate the sounds and only allows the making of a totally specious music which has nothing to do with true music. It is impossible to write true music, except with a stylus on the wax, and this is what they do now in recordings. This is a way of writing and the only one that's proper to music." --Jean Dubuffet Art by Jean Dubuffet