Budget Microphone Comparison on Bass Guitar скачать в хорошем качестве

Budget Microphone Comparison on Bass Guitar

After years of collecting random microphones, I decided to make some comparison videos for fun. Have a listen to some dynamic mics under $100 and condensers under $300 on my bass guitar. All mics are positioned about 1 inch away from the grille and 2 inches off axis. Condensers are in cardioid mode with the highpass disabled and pad enabled. The lineup in order is: Clean: 00:00 - Digital Reference DRK100 00:27 - Behringer C112 00:53 - AKG P2 01:18 - Behringer SL75C 01:43 - Behringer XM8500 02:08 - Behringer BA85A 02:34 - AKG D8000M 02:59 - Shure SM48 03:24 - Digital Reference DRST100 03:49 - AKG P4 04:15 - AKG P5i 04:40 - Shure SM57 05:05 - SE Electronics V7 05:30 - Digital Reference DRC100 05:56 - AKG Perception 170 (P170) 06:21 - MXL 5000 06:46 - AKG Perception 420 (P420) 07:11 - Audio-Techinica AT2050 With Overdrive: 07:37 - Digital Reference DRK100 07:49 - Behringer C112 08:02 - AKG P2 08:15 - Behringer SL75C 08:27 - Behringer XM8500 08:40 - Behringer BA85A 08:53 - AKG D8000M 09:05 - Shure SM48 09:18 - Digital Reference DRST100 09:30 - AKG P4 09:43 - AKG P5i 09:56 - Shure SM57 10:08 - SE Electronics V7 10:21 - Digital Reference DRC100 10:34 - AKG Perception 170 (P170) 10:46 - MXL 5000 10:59 - AKG Perception 420 (P420) 11:12 - Audio-Techinica AT2050 If it matters to you, all recordings were done using a Zoom R16 in interface mode at 24bit, 48kHz sampling. A Sterling Ray5 was played on an Ampeg BA112 amp. Overdrive is a Behringer BOD400 pedal. No EQ or post processing other than volume matching.