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It turns out Dragon Riders of the Styx was sued by TSR (the creators of Dungeons & Dragons) for directly copying monsters from the original Monster Manual. Instead of redesigning the figures, the toy company took a truly bizarre approach: they literally shaved the faces off their characters and kept selling them. Yep — that’s why those Dragon Riders figures are faceless. Much research/photos/theories from, and many thanks to: www.2warpstoneptune.com www.fantasytoysoldiers.blogspot.com / @thelittlethings3309 ⏱ Chapters 00:00 – Emergency addendum & viewer tip 01:22 – Dragon Riders sued by TSR (Dungeons & Dragons) 01:44 – The faceless snake: Naga origins revealed 02:57 – Orc knockoffs and shaved-off faces 04:08 – Corporate fixes vs creative choices 04:31 – The Shambling Mound comparison 05:02 – TSR’s own monster toys & Man-Thing influences 06:30 – Crude fantasy art and “binder notebook” aesthetics 08:10 – Playmats, cheap materials, and accidental beauty 09:00 – Toyco’s Dragons & Demons discovered 09:56 – Arco, Otherworld, Sword & the Sorcerer 10:40 – Warriors of the Galaxy & logo confusion 11:45 – Everything comes from one seed 12:50 – Conan, D&D, Star Wars, Clash of the Titans collide 13:33 – Anne McCaffrey & Dragon Riders origins 14:30 – Ray Harryhausen: the godfather of monsters 15:18 – Harpies, Army of Darkness, and creature lineage 16:30 – Illustration culture & Mexican pulp art 17:40 – Stressed artists + capitalism = childhood mythology 18:50 – Brian Eno: limitations become aesthetics 19:40 – Analog vs digital & embracing imperfection 21:20 – Why this stuff still matters “Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit — all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.” Brian Eno — A Year With Swollen Appendices, Faber and Faber | 1996 "Many artists have directly and indirectly affected and influenced my work... but perhaps Doré has been the most influential." Ray Harryhausen #KoolThings #DragonRiders #VintageToys #PopCulture #80sToys