SHADOWSLIKE2YOU скачать в хорошем качестве

SHADOWSLIKE2YOU

Music, Mix and mastering Andrea Grande Lit, shot & cut Giles Smith Shakespeares Sonnets are fragments. They are the snatches of conversation you catch on the Metro between Tiburtina and Termini—a half-sentence that tells you everything and nothing. They are the whispers in the dark when the "bare light of day" is too honest to bear. For twenty years, I’ve used these 154 "dialogues" to teach actors how to breathe, how to lie, and how to tell the truth. In 2008, I think, in the cold light of Wrocław, I tried to build a story out of them with five actors and a puppet. Why a puppet? Because the Sonnets are about being moved by strings we can't see. They are about the "Substance" and the "Shadow". Harold Bloom said Shakespeare invented the human; I think he just recorded the sound of the human heart malfunctioning in real-time. The sonnets aren't just about looking for "Love." As 116 says, "Love is not love." Some are looking for the "cunning" blindness of 148. I filmed these sonnets as if they were "Shadows Like To You"—projections of needs, regrets, and hellos that are actually good-byes. Most people think the sonnets are romantic. They’re wrong. These are "The World's False Subtleties." They are the "Expense of Spirit." They are the frantic affirmations of people trying to understand why they feel the way they do towards a past that’s already gone and a future that hasn’t arrived. It’s the "Motley to the View." It’s the "Cracked Lens." It’s people trying to find a heartbeat in a "Gilded Tomb." We’re not singing to a person; we’re singing to the "Millions of Strange Shadows" (53) that live inside us. Thanks to the actors of the ii Biennio at L'accademmia Nazionale d'Arte drammatico " Silvio D'Amico" Edoardo Carbonara, Francesca Iasi, Stefano Poeta Edoardo Sani for blindly following my suggestions. Thanks to all staff and Stefano Macciocca for brilliant assistance.