校 薪邪褋 胁褘 屑芯卸械褌械 锌芯褋屑芯褌褉械褌褜 斜械褋锌谢邪褌薪芯 Menachem Wiesenberg - Quintet for Percussion and String Quartet 懈谢懈 褋泻邪褔邪褌褜 胁 屑邪泻褋懈屑邪谢褜薪芯屑 写芯褋褌褍锌薪芯屑 泻邪褔械褋褌胁械, 胁懈写械芯 泻芯褌芯褉芯械 斜褘谢芯 蟹邪谐褉褍卸械薪芯 薪邪 褞褌褍斜. 袛谢褟 蟹邪谐褉褍蟹泻懈 胁褘斜械褉懈褌械 胁邪褉懈邪薪褌 懈蟹 褎芯褉屑褘 薪懈卸械:
袝褋谢懈 泻薪芯锌泻懈 褋泻邪褔懈胁邪薪懈褟 薪械
蟹邪谐褉褍蟹懈谢懈褋褜
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袝褋谢懈 胁芯蟹薪懈泻邪褞褌 锌褉芯斜谢械屑褘 褋芯 褋泻邪褔懈胁邪薪懈械屑 胁懈写械芯, 锌芯卸邪谢褍泄褋褌邪 薪邪锌懈褕懈褌械 胁 锌芯写写械褉卸泻褍 锌芯 邪写褉械褋褍 胁薪懈蟹褍
褋褌褉邪薪懈褑褘.
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Quintet for Percussion and String Quartet Menachem Wiesenberg 状讞诪讬砖讬讛 诇讻诇讬 讛拽砖讛 讜专讘讬注讬讬转 诪讬转专讬诐状 诪讜住讬拽讛 诪拽讜专讬转: 诪谞讞诐 讜讬讝谞讘专讙 Menachem Wiesenberg Home Page: www.mwm.co.il Facebook: 聽聽/聽menachem.wiesenberg聽聽 Brian Calhoon, percussion The Borromeo String Quartet Nicholas Kitchen, violin Kristopher Tong, violin Mai Motobuchi, viola Yeesun Kim, cello Fenway Center, Northeastern University; October 18, 2014 Produced by Brian Dixon The Quintet for Percussion & String Quartet is a chamber version of the Concertino for percussion & orchestra commissioned by the Israel Chamber Orchestra for the percussion artist Chen Zimbalista. Despite its origins, it has the distinct nature of a chamber work: the stirngs are equal partners throughout, the only exception being a semi-composed semi-improvised solo cadence for the percussionist. Of the percussive instruments, the marimba is most prevalent, but various other instruments 鈥 with or without definite pitch 鈥 such as the vibraphone, cymbals and tam-tams, are also used. The Quintet, to be played as a continuous sequence, is of three sections, whose time ratios are arranged telescopically. The first is the longest and most complicated of the three, and ends with a cadence leading to the shorter expressive and lyrical second section, in which the strings come to the fore. Robust rhythmic qualities and a lively, bouncy tempo in the perpetuum mobile vain, characterize the third, even shorter, section which concludes the piece.(composer Notes)