Johnny Cash - "Big River" 1964 Instrumental Cover - Luther Perkins Guitar Style скачать в хорошем качестве

Johnny Cash - "Big River" 1964 Instrumental Cover - Luther Perkins Guitar Style

Hey! This time I went for a song from the 1964 "I Walk the Line" album, Big River, one of the many versions of the song. I am playing all the instruments, and trying to make similar to the original 1964 version. I am using a Jazzmaster here, but im not sure if Luther used a Jazzmaster or an Esquire on the original '64 take. Please leave a comment if you know. Hope you enjoy! Please subscribe for more Johnny Cash covers and more:    / @getrhythmgausdal   ------------------------------------------------------------------------------------------------- Lyrics: "Big River" Now I taught the weeping willow how to cry, And I showed the clouds how to cover up a clear blue sky. And the tears that I cried for that woman are gonna flood you Big River. Then I'm gonna sit right here until I die. I met her accidentally in St. Paul (Minnesota). And it tore me up every time I heard her drawl, Southern drawl. Then I heard my dream was back Downstream cavortin' in Davenport, And I followed you, Big River, when you called. Then you took me to St. Louis later on (down the river). A freighter said she's been here but she's gone, boy, she's gone. I found her trail in Memphis, but she just walked up the block. She raised a few eyebrows and then she went on down alone. Now, won't you batter down by Baton Rouge, River Queen, roll it on. Take that woman on down to New Orleans, New Orleans. Go on, I've had enough; dump my blues down in the gulf. She loves you, Big River, more than me. Now I taught the weeping willow how to cry, cry, cry And I showed the clouds how to cover up a clear blue sky. And the tears that I cried for that woman are gonna flood you Big River. Then I'm gonna sit right here until I die. ------------------------------------------------------------------------------------------------- About Luther Perkins: Luther Monroe Perkins (January 8, 1928 -- August 5, 1968) was an American country music guitarist and a member of the Tennessee Three, the backup band for singer Johnny Cash. Perkins was an iconic figure in what would become known as rockabilly music. His creatively simple, sparsely-embellished, rhythmic use of Fender Esquire, Jazzmaster and Jaguar guitars is credited for creating Cash's signature "boom-chicka-boom" style. Perkins was born in Memphis, Tennessee, the son of a Baptist preacher. He grew up in Como, Mississippi, and taught himself to play rhythm guitar. Perkins started his career in 1953 as a mechanic at Automobile Sales Company in Memphis. He specialized in electrical systems and radio repairs. Roy Cash, Sr., older brother of Johnny Cash, was service manager at the dealership. At the time, the younger Cash was stationed in Germany with the US Air Force. At Automobile Sales, Perkins met co-workers Marshall Grant and A.W. 'Red' Kernodle. Grant, Kernodle and Perkins began bringing their guitars to work, and would play together when repair business was slow. When Johnny Cash moved to Memphis after returning from Germany in 1954, Ray Cash introduced him to Grant, Kernodle and Perkins. The four began to get together in the evenings at Perkins's or Grant's home and play songs. It was during this time that they decided to form a band, with Grant acquiring a string bass, Kernodle a six-string steel guitar, and Perkins buying a somewhat-abused Fender Esquire electric guitar from the O.K. Houck Piano Co. in Memphis. The guitar had been modified by a previous owner, and the volume and tone controls did not work. Since he could not control the volume of the single-pickup instrument, Perkins began the practice of muting the three bass strings (E, A and D) with the heel of his right hand, much in the style of Merle Travis, and scratching a rhythm pattern (as heard on Sun Records recordings prior to 1958). This pattern developed into a more defined, varying 1/8-8/5/8-8 picking (with random syncopation) on later Sun recordings and for the rest of Perkins' career. In late 1954, when Cash got an audition with producer Sam Phillips at Sun Records, he brought Perkins, Grant and Kernodle along to back him instrumentally. The experience made Kernodle nervous, and he ended up leaving before the session was over, with Perkins and Grant providing the instrumentation. Perkins, as a member of the Tennessee Two (later, the Tennessee Three, with the addition of drummer W.S. "Fluke" Holland), toured with Cash and appeared on most of his recordings. He was well known for his laconic, focused demeanor on stage. He was often the target of jokes by Cash, who would make comments such as "Luther's been dead for years, but he just doesn't know it". Source: Wikipedia ***NO COPYRIGHTS INTENDED. THIS SONG DOES NOT BELONG TO ME, IT BELONGS TO JOHNNY CASH AND THE TENNESSEE TWO, AND COLUMBIA RECORDS. THIS IS MY COVER VERSION OF A SONG WRITTEN BY SOMEONE ELSE.