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Composite Theory of Dissonance

Why some chords are consonant and others are dissonant, why some tunings are perceived as attractive and others as repulsive. In this video we will go through 3 main theories of dissonance and how they relate to each other. _________________________________________________________________________ Links: Article on composite theory of dissonance: https://www.semanticscholar.org/paper... Article on amusics: https://www.pnas.org/doi/10.1073/pnas... Article on cultural variation: https://www.nature.com/articles/natur... Synth used in video: https://newtonality.net/lab Graphs made with: https://www.desmos.com/calculator Follow: Twitter:   / new_tonality   Support: Bandcamp: https://offcast.bandcamp.com/album/re... Ko-fi: https://ko-fi.com/newtonality BTC: bc1qzu3cscpaltcpqhe5pjrc3y64gux0ja6dtacvvw Monero: 471K4TqU8nx3zVSjQVPgVUBco3r4NVWc8jhMCxuSJW72A8tFDDdfHKkgkPNUfRKebjZTJrpbkVAXZVA8A6tbADrbBRWnFpj ETH / USDT: 0xb1596Ad3A60219906C699114E7DC5Fcc19ED9ec8 _________________________________________________________________________ 00:00 - Intro 00:23 - 1. Spectral Interference theory 00:37 - 1.1. What is beating? 03:11 - 1.2. Arguments for spectral interference 03:59 - 2. Periodicity / harmonicity theory 05:16 - 3. Cultural conditioning theory 05:37 - 4. Disproving spectral Interference theory 06:02 - 4.1. Spacial separation 06:55 - 4.2. Matching spectrums 09:54 - 4.3. Stretching spectrum 10:34 - 4.4. Conclusion 11:25 - 5. Article 1: Amusics and dissonance perception 12:49 - 6. Article 2: Cultural variation in music perception 14:17 - 7. Proving spectral Interference theory 17:43 - 8. Article 3: Composite theory of dissonance perception 19:33 - 9. Conclusion 20:40 - 10. Outro