Ludus Danielis, Dramma liturgico del XII secolo - Clemencic Consort скачать в хорошем качестве

Ludus Danielis, Dramma liturgico del XII secolo - Clemencic Consort

Ensemble: Clemencic Consort Album: Ludus Danielis, Liturgical drama of the XII Century   / musicamedievale   • In the writings and counts of dioceses and cathedrals drawn up by zealous monks and accountants during the Middle Ages there are many expenses for the purchase of musical instruments, colored curtains, exotic animals and millions of petals which, during Pentecost, were dropped from the vaults of cathedrals on surprised heads of the faithful to better represent the descent of the holy spirit. During the celebrations of the rites the celebrants were similar to actors who recited epic parts of sacred texts indicating statues and imposing frescoes to the participants, involved just as we could be in the theater or during the screening of a movie. Added to that there was the music whose listening excited much more than does today since there was no other way to listen to it except while someone was performing it. The melodies stick in the minds of people who then, during work or in taverns, sang them perhaps changing the text for fun or because they did not remember the words, just as it happens to us when we do not remember the lyrics of a song. Real representations took place during certain particular liturgies of the year; at the Epiphany Mass, for example, three canons in the role of the Magi crossed the nave of the church dressed in white, red and black, and carrying a palm branch and a perfume bottle in their hands. During the passage of the Gospel in which the three Magi bring gifts to Jesus, the canons offered the bottles to the bishop intoning the chant "Ecce Stella" and thanks to wooden devices a star was raised above the altar; in the cathedral of Padua during the song “Nuntio Vobis”, an attendant hidden behind some vestment threw a lighted candle that simulated the comet with its fast wake. Liturgical dances performed after officiating the most important liturgies of the year were also widespread and were accompanied by music, hymns and psalms. Priests used to tell stories and jokes after the period of Lent to celebrate the victory of happiness over death, this practice was called "Risus Paschalis". A part of the clergy was contrary to these customs and did their utmost to cancel them from the rites, but the justifications in response to these complaints came precisely from the Holy Scriptures, in which these practices were appreciated; like when David danced in front of the Ark of the Covenant as well as in the Gospel of John, where Jesus would induce the disciples to follow him in a mystical dance after the Last Supper. It therefore seems that the Gothic vaults of cathedrals in the past have witnessed much more interesting shows than today. One of the sacred representations that has come down to us is the Ludus Danielis that survived the time in two codices: the Fleury Playbook, a manuscript dated 1140 that contain ten liturgical dramas; the text is by Hilarius, and no music accompanies it. The second was written about 1227 by students of the Beauvais Cathedral and it contains monophonic music. The story centers on the Jewish prophet Daniel who is saved thanks to divine intervention from the lions' den where he was thrown. The characters on stage are many, the texts are both in Latin and in the vernacular and the music is both Gregorian and profane. The melodies contained in this drama became so famous that they gave birth to many "contrafactum": "Congaudentes celebremus" for example has the same melody as Carmina Burana "In taberna quando sumus", "Jubilemus Regi nostra" of the Bacchic song "Bacche venie venies "... • 1 Introduzione E Narratore - Ad Honorem Tui, Christe 2 Rex In Eternum Vive! Vos Qui Paretis Meis Vocibus 3 Vocate Mathematicos Chaldeaos 4 Cum Doctorum Et Magorum Omnis Adsit Contio 5 Rex In Eternum Vive! 6 Rex, Tuo Nolo Munera 7 Tolle Vasa, Princeps Militiae 8 Ecce Rex Darius Venit Cum Principus 9 Rex In Eternum Vive! Decreverunt In Tua Curia 10 Numquid, Dari, Observari Statuisti Omnibus 11 Heu, Heu, Heu! Quo Casu Sortis Venit Haec Damnatio Mortis? 12 Tene, Putas, Daniel, Salvabit, Ut Eripiaris 13 Danielem Educite, Et Emulos Immittite 14 Ecce Venit Sanctus Ille, Sanctorum Sanctissimus • Tenor Vocals – Frederick Urrey, Kurt Spanier, Mieczyslaw Antoniak Countertenor Vocals – Zeger Vandersteene, Drew Minter Baritone Vocals – Pedro Liendo, Nikos Kapetas, Ladislaw Illawsky, Andrew Schultze Bass Vocals – Hannes Jockel Bombarde – Renate Hildebrand Cornett, Bagpipes, Tromba Marina – Frantisek Pok Lute, Rubebe, Saltari, Jew's Harp – András Kecskés Hurdy Gurdy – Bernard Blanc Rebec, Rabab, Fiddle, Mandora – Michael Dittrich Recorders, Horns – Wolfgang Reithofer Narrator – Alessandro Quasimodo Directed By – René Clemencic • Buy: https://amzn.to/3qyURQm 🌻 The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko