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This is a test to see what the difference is between the C100's internal AVCHD and the Ninja Blade's ProRes HQ. This was a non-scientific test and was intended to see what the difference was between the codecs in a "realistic" shoot. The lenses I used were the Canon EF 24-105L f/4 and the Canon EF 50 f/1.8. My Analysis: From what I can see in the first three shots (two over the city and the one by the hill) It was tough to see any difference. From what I saw, it seems that the AVCHD compresses the pixels throughout the shot, which causes a weird "pulsing" in the image as a whole, especially when it is graded. The ProRes footage defiantly handles the individual pixel is much better way. I noticed the pixel pattern difference in the shadows of the shot especially. Generally however, the two shots are extremely similar and would cut together relatively seamlessly. I think the reason the AVCHD holds up so well is because I shot is relatively safe conditions. My ISO was 850 on each of these shots, I was at f/5.6 for the first two shots with 2 stops of ND and it was a well lit area. The shot on the hill had some straining to it being that I was shooting almost directly at the sun and some of my highlights are blown out. For the hill shot I stopped down to f/8 and used 4 stops of ND. For my low light test the only available light was from the small lanterns that were positioned around the pond. I opened up to f/2.8 and took shots at different ISOs. I believe that this is where the Ninja Blade's ProRes really shined. The AVCHD clearly struggles to deliver a clean image even at 850 ISO. Anything past 850 was unusable for the AVCHD files in my opinion. The ProRes held up very well even at 3200 ISO, but due to noise wasn't that usable any higher. Of course on an actually shoot I try to keep my ISO at 850 because that is where the C100 delivers the cleanest image. Overall I am very impressed with the image that the Blade delivers. What I was most surprised by was how well the AVCHD held up in the first three shots. I am glad that I know I can use those files as back up in case something happens to the ProRes files.