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Duos, trios, and quartets In a cab, on the way to the Montreal airport, Norman Granz heard a radio program broadcasting from a local club. He was so impressed that he told the driver to take him to the club so he could meet the pianist. In 1949 he introduced Peterson in New York City at a Jazz at the Philharmonic concert at Carnegie Hall. He remained Peterson's manager for most of his career. This was more than a managerial relationship; Peterson praised Granz for standing up for him and other black jazz musicians in the segregationist south US of the 1950s and 1960s. In the documentary video Music in the Key of Oscar, Peterson tells how Granz stood up to a gun-toting Southern policeman who wanted to stop the trio from using "whites-only" taxis. In 1950, Peterson worked in a duo with double bassist Ray Brown. Two years later they added guitarist Barney Kessel. Then Herb Ellis stepped in after Kessel grew weary of touring. The trio remained together from 1953 to 1958, often touring with Jazz at the Philharmonic. Peterson also worked in duos with Sam Jones, Niels-Henning Orsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock. He considered the trio with Brown and Ellis "the most stimulating" and productive setting for public performances and studio recordings. In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peterson Trio. Shortly afterward Smith was replaced by guitarist Irving Ashby, who had been a member of the Nat King Cole Trio. Ashby, who was a swing guitarist, was soon replaced by Kessel. Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding between three players. When Ellis departed in 1958, they hired drummer Ed Thigpen because they felt no guitarist could compare to Ellis.Brown and Thigpen worked with Peterson on his albums Night Train and Canadiana Suite. Both left in 1965 and were replaced by bassist Sam Jones and drummer Louis Hayes (and later, drummer Bobby Durham). The trio performed together until 1970. In 1969 Peterson recorded Motions and Emotions with orchestral arrangements of "Yesterday" and "Eleanor Rigby" by The Beatles. In the fall of 1970, Peterson's trio released the album Tristeza on Piano. Jones and Durham left in 1970. In the 1970s Peterson formed a trio with guitarist Joe Pass and bassist Niels-Henning Orsted Pedersen. This trio emulated the success of the 1950s trio with Brown and Ellis and gave acclaimed performances at festivals. Their album The Trio won the 1974 Grammy Award for Best Jazz Performance by a Group. On April 22, 1978, Peterson performed in the interval act for the Eurovision Song Contest 1978 that was broadcast live from the Palais des congres de Paris. In 1974 he added British drummer Martin Drew. This quartet toured and recorded extensively worldwide. Pass said in a 1976 interview, "The only guys I've heard who come close to total mastery of their instruments are Art Tatum and Peterson". Peterson was open to experimental collaborations with jazz musicians such as saxophonist Ben Webster, trumpeter Clark Terry, and vibraphonist Milt Jackson. In 1961, the Peterson trio with Jackson recorded the album Very Tall. His solo recordings were rare until Exclusively for My Friends (MPS), a series of albums that were his response to pianists such as Bill Evans and McCoy Tyner. He recorded for Pablo, led by Norman Granz, after the label was founded in 1973, including the soundtrack for the 1978 thriller The Silent Partner. In the 1980s he played in a duo with pianist Herbie Hancock. In the late 1980s and 1990s, after a stroke, he made performances and recordings with his protege Benny Green. In the 1990s and 2000s he recorded several albums accompanied by a combo for Telarc...to be continued ___________________________________________ / oscarpetersonlegacy / oscarpetersonlegacy ___________________________________________ Oscar Peterson - Bern Jazz Festival '86. Tracklist: 1. The Love Ballad (O.Peterson). ___________________________________________ Personnel: 1. Oscar Peterson - piano 2. Niels Henning Orsted Pedersen - bass 3. Martin Drew - drums. ___________________________________________ Genre: Jazz Recorded: Bern Jazz Festival, Switzerland; May, 1986. Photography By - Stuart Nicholson, Heinrich Klaffs.