How Linkin Park Wrote 'Hybrid Theory' | Full Documentary скачать в хорошем качестве

How Linkin Park Wrote 'Hybrid Theory' | Full Documentary

00:00 - 01:46 Linkin Park reformed, and Hybrid Theory today 01:47 - 6:10 From Xero: Early inspirations, Mark Wakefield leaves the band 06:11 - 09:43 Chester Bennington joins the band, and a little name change 09:44 - 11:58 Writing and recording Hybrid Theory, using trauma as a fuel 11:59 - 15:56 The songs: how Linkin Park wrote 'Papercut', 'Crawling', and 'Pushing Me Away' 15:57 - 19:22 'One Step Closer', and that iconic bridge/breakdown 19:23 - 20:35 Collaborating with the Beastie Boys' producers on 'With You' 20:36 - 22:02 Reworking early demos, and how Rhinestone became 'Forgotten', and the lost bridge of 'Points of Authority' 22:03 - 24:12 How 'In The End' was a despairing cry of disenchantment 24:13 - 25:01 How Banksy inspired the album cover 25:02 - 27:01 Hybrid Theory today: how it changed music's relationship with mental health *** In the late nineties, six friends in their early twenties banded together in a sleepy suburb of Los Angeles to form a new musical collective. Under the name Xero, the group built interesting, glitchy soundscapes that had one foot in the rock camp, and the other firmly in the California hip-hop scene. These twin inspirations were immediately evident on the band's early EPs, where Brad Delson's rumbling down-tuned guitars collided with Joseph Hahn's syncopated turntable scratching, all underscored by the rap verses of Mike Shinoda. Things were going well for the group, and all too quickly, things seemed to fall apart. Despite some interest from record labels and a slot supporting local up-and-coming oddity System of a Down, secondary vocalist Mark Wakefield abruptly left. The band were left adrift, until an A&R rep interested in the band tapped up the vocalist of the Arizona band Grey Daze to see if he might be interested in trying out for the group. Chester Bennington, the vocalist in question, was a surefire talent - anyone could see it. On Grey Daze's records, Bennington brought a genuinely searing vocal quality to the band that hinted at an inner darkness - a deep well of trauma that he could easily tap to unleash evocative, tender vocals that could be sung or screamed alike. Bennington soon joined the band, and buoyed by the new addition, the group found their footing and went into the recording studio to lay down tracks for their debut record. They also changed their name to Linkin Park. Little did Linkin Park know, this recording session would lead to one of the biggest albums of the subsequent two decades, a record that would go on to sell 30 million copies around the world. Much of that has to do with the undeniable power of the album's singles. On 'In The End', the band would lay bare the despondency they were feeling during their trials and tribulations, captured in an anthemic chorus that everyone inherently knows, twnety years later, rock fan or not. On 'Papercut', Shinoda and Bennington would describe an insidious sense of paranoia, likening the sensation to the feeling of a face that 'laughs every time I fall'. And, most poignantly, on 'Crawling', Bennington would address head-on his own traumas born out of a childhood plagued by neglect, abuse and misery. And elsewhere, on the track 'With You', the band would tap up the producers of the Beastie Boys album 'Paul's Boutique' to lay down subtle sketches of percussion to breathe new life into early demos. Let's take a look at this record, its songwriting and recording process, and why it is still relevant today, especially with the band reforming, years after the passing of Chester Bennington. Let me know what this album means to you, and what you think of the band's reformation. And remember to hit the like and subscribe buttons for future videos like this from The Title Track. *** Note: None of the footage in this video is mine, and I do not own the rights, nor to the songs. Any copyright infringement is not intended, and this video should be considered as falling under 'fair use' classification.