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Timestamps: Low Notes - 0:07 0:08 - Sustained C3 followed by a D4 from "Sad" 0:24 - Bo does a couple octave jumps (C3-C4) in the verses of "30" 0:34 - A couple easy B2s from "Channel 5 News: The Musical". In Bo's earlier specials, he was much more nasal when singing, partially because he thought people would prefer if his voice sounded higher than it actually was. 0:47 - A few quick, dark A2s in "Can't Handle This" from Burnham's 3rd special "Make Happy", his only special without an official corresponding album. 0:59 - Some nice A2s from the album version of "From God's Perspective" 1:21 - The studio version of "Repeat Stuff" with some super boomy A2s 1:38 - Great G♯2 from "Channel 5". The mid-lower 2nd octave is where Bo's voice really shines, in my opinion. 1:51 - "3.14 Apple Pi" off Bo's 2008 EP contains a smooth G2 1:57 - One of Bo's best songs and vocal performances, "Welcome to the Internet" contains a remarkably strong and resonant G2 2:08 - Strong F2 from the ending of the extravagant "Intro" to "what." 2:15 - Incredible lower harmonies from "Hell of a Ride", bottoming at F2 2:29 - Sexy E2s from "1985". Unfortunately, Bo seldom sings this low on his material, despite how great he sounds doing it. 2:36 - Finally, a D2 from the backing vocals of "Unpaid Intern". Again, wish we could get more of this High Notes - 2:43 2:50 - A brief but great performance in "Look Who's Inside Again". Bo effortlessly spans A2 to D4. 3:04 - And the same range displayed again in "How the World Works", another good showing from "Inside" 3:21 - Sustained D4 from the edgy bonus track off Bo's self-titled debut album. 3:32 - A belted E♭4 from the final chorus of "Hell of a Ride", one of Bo's best from the "what." era 3:39 - Bo's soft singing from the bridge of "Problematic", topping at E♭4 3:50 - A solid mixed E4 from "Goodbye" 3:58 - Emotional singing up to E4 from Bo's heart-wrenching ballad about "The Chicken" 4:11 - Quick F4 from the brief yet relatable "All Time Low". This is around the limit of Bo's belting range. 4:16 - Mixed G4 in the harmonies of "Problematic" 4:29 - A rare falsetto A4 from the now deleted version of "Cookout", recorded in 2007 4:38 - The iconic battle between Bo and the spider has begun, Bo attacking with some sharp falsetto B♭4s 4:48 - Falsetto C5s in the harmonies of "Shit" 4:49 - Assited by some autotune, a strong sustained B2 followed by a climb up to a short falsetto D5 in "Can't Handle This" 5:10 - A screamed E♭5 at the end "Bezos II" from the album version 5:16 - Epic falsetto E♭5s from the Intro to "what." 5:31 - The extended version of the crazy scream at the end of "Bezos I", topping at F5 5:37 - From a now deleted version of Bo's "The Perfect Woman", a buttery G♯2 followed by a very frail and crackly G♯5, Bo's highest sung note. 5:49 - Finally, the absolutely insane 5th octave screams from "Spider". Right before Bo is slain at the hands of the spider, he let's out a final dying shriek, which coincidentally, also happens to be a B♭5, his highest recorded note