Earsight microphones Standard vs Sennheiser MKH-8020 (95€ vs 2 200€) скачать в хорошем качестве

Earsight microphones Standard vs Sennheiser MKH-8020 (95€ vs 2 200€)

The match between well known Sennheiser MKH8020 omnidirectional small diaphragm condenser microphones and a pair or Earsight Standard version. You will find the Earsight / MKH8020 comparison as well as the Earsight Matched Eq / MKH8020 comparison to know the capacity of the Earsight to be close to the king with a minimum of treatment. MKH-8020: 00:00 Earsight microphones : 00:40 Earsight microphones with matched EQ : 01:20 MKH-8020: 02:01 Earsight microphones : 03:09 MKH-8020: 03:30 Earsight microphones with matched EQ : 03:52 These recordings were made by Khristos who published them on his soundcloud (Hearings Beings) and who gave me his permission to present you this video, which is the result of his work. You can find Khristos' work at the following address:   / hearingbeings   Here is the methodology that Khristos used to make these recordings: 2022.08.14 Parallel Field Recording: MKH 8020 and Earsight Microphones. Coastal eucalypt and grass tree forest, in a conservation park, at the location of a 19th century silver mine that operated briefly between 1862 and 1872. Recorded on land of the Kaurna and Ngarrindjeri peoples. A pair of Sennheiser MKH 8020 microphones and a pair of Immersive Soundscapes Earsight microphones, each paired in a ‘Straus-Paket’ style arrangement, inside Rycote WS10 windshields (without windjammers), in AB with 62 cm spacing. Recorded with a MixPre-6 II at 96 kHz 24 bit, with separate channels. Matching VU meter peak levels visually, and auditorily, the MKH 8020s were given 65 dB of preamp gain, the Earsights 55 dB of preamp gain. Although peak levels were more or less closely matched, the baseline noise floor of the Earsights, as visible in the VU meter, was several dB higher than that of the MKH 8020s (quite the opposite of what I would have expected, not only because of the higher gain on the MKH 8020s, but also because of the latter’s well-known sensitivity to low frequencies). However, here I am not going to engage in any technical analyses focussing microscopically on the minutiae of each microphone. I have taken a very different approach: perhaps more like a photographer or a painter placing differently-photographed/painted landscapes side by side: by no means to judge which is ‘better’ (a meaningless notion, without any very specific relevant context and purpose), but to enjoy the rather subtle aesthetic, perceptual-sensory, differences and variations, the subtly different ‘aspects’, ‘perspectives’, and ‘sensory feels’, that these different lenses/brushes make available. I will certainly continue to use both pairs of microphones - separately, of course, and in varying situations - and will be posting more recordings from both in the near future. The recordings are presented without any processing (other than resampling 96/24 wav to 48/24 flac in all but one pair of tracks), and with the original 'in situ' gain levels. EarSight microphones online shop: https://immersivesoundscapes.com/ This recording was made by Khristos, all rights are reserved, any reproduction or commercial use is not authorized under his authorization. ----------------------------------------------------------------------------------------------------------------------- You will find all my work following these links: --- https://www.facebook.com/profile.php?... ---   / immersivesoundscapes   --- https://www.instagram.com/immersiveso... --- Contact: [email protected] ----------------------------------------------------------------------------------------------------------------------- Enjoy! Philippe.R