Baude Cordier: "Tout par compas" (late 14th century) скачать в хорошем качестве

Baude Cordier: "Tout par compas" (late 14th century)

Tout Par Compas Marcel Pérès with Ensemble Organum Christmas Music in Medieval Times ℗ 2010 Master Classics Records Baude Cordier (fl. early 15th century) was a French composer in the ars subtilior style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this. He is best known for his unique and experimental notational methods, often with shapes relating to the subject matter. These include a heart-shaped staff in Belle, Bonne, Sage, a rondeau about love, and numerous circles in the Tout par compas suy composés rondeau. Such an approach is thought to have inspired later composers, ranging from Gilles Binchois to Karlheinz Stockhausen. he Chantilly Codex (Chantilly, Musée Condé MS 564) is a manuscript of medieval music containing pieces from the style known as the Ars subtilior. It is held in the museum at the Château de Chantilly in Chantilly, Oise. Most of the compositions in the Chantilly Codex date from c. 1350–1400. There are 112 pieces total, mostly by French composers, and all of them polyphonic. The codex contains examples of many of the most popular courtly dance styles of its time, such as ballades, rondeaus, virelais, and isorhythmic motets. Some of the motets are rhythmically extremely complex, and are written in intricately exact musical notation. Two pieces by Baude Cordier were added at a slightly later date at the front of the manuscript, and use unusual shapes to reflect their musical contents. The piece "Belle, Bonne, Sage, Plaisant" (image right) was written to a special lady for the New Year, and reflects the shape of the notation with the text (Lovely, good, wise, and pleasant). The graphic layout of the notation is a play on words on the "Cor" ("heart") in "Cordier". The Chantilly Codex is known to contain music from the composers Johannes Symonis, Jehan Suzay, P. des Molins, Goscalch, Solage, Baude Cordier, Grimace, Guillaume de Machaut, Jehan Vaillant, F. Andrieu, Magister Franciscus, Johannes Cuvelier, Rodericus, Trebor, and Jacob Senleches.