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Dag-Are Haugan and Espen Sommer Eide are electro-acoustic experimenters from Norway, and they've yet to step out from the dimly lit corners of the contemporary music avant-garde: They've never "broken through," and at this point I doubt they ever will. Their music is not inaccessible, but it does play with the idea of what music itself can be, and they tend to avoid emotional manipulation. They present sound that is texturally rich and organized in an interesting way, but they're not telling you to feel happy or sad when you listen to it. All of which is to say that they are way down the list of abstract sound-makers likely to appeal to people who have a limited amount of space in their daily listening for abstract sound. From Pitchfork: http://pitchfork.com/reviews/albums/1...