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2ndary REVISIONS is a series of 5-minute videos about process, about the strategies and practices inside an artwork. In this series we invite artists, writers, choreographers, musicians and theatre-makers to give an insight into the different processes and strategies used within their artistic practice. The first instalment, released on 9 March, features William Kentridge, internationally acclaimed for his drawings, films, theatre and opera productions. Kentridge's method combines drawing, writing, film, performance, music, theatre, and collaborative practices to create works of art that are grounded in politics, science, literature and history, yet maintaining a space for contradiction and uncertainty. In this video Kentridge unpacks how collage as a technique can be used in the exercise of finding that which we do not expect. Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid, the Kunstmuseum in Basel and Zeitz MOCAA and the Norval Foundation in Cape Town. He has participated a number of times in Documenta in Kassel (2012, 2002,1997) and the Venice Biennale (2015, 2013, 2005, 1999 and 1993). Opera productions include Mozart’s The Magic Flute, Shostakovich’s The Nose, and Alban Berg’s operas Lulu and Wozzeck, and have been seen at opera houses including the Metropolitan Opera in New York, La Scala in Milan, English National Opera in London, Opera de Lyon, Amsterdam opera, the Sydney Opera House and the Salzburg Festival. Kentridge’s theatrical productions, performed in theatres and at festivals across the globe include Refuse the Hour, Winterreise, Paper Music, The Head & the Load, Ursonate and Waiting for the Sibyl and in collaboration with the Handspring Puppet Company, Ubu & the Truth Commission, Faustus in Africa!, Il Ritorno d’Ulisse, and Woyzeck on the Highveld. In 2016 Kentridge founded the Centre for Less Good Idea in Johannesburg: a space for responsive thinking and making through experimental, collaborative and cross-disciplinary arts practices. The Centre hosts an ongoing programme of workshops, public performances, and mentorship activities. CINEMATOGRAPHY & EDITOR | Joshua Trappler PRODUCTION FOR THE CENTRE (2022) ANIMATEUR | Phala O. Phala DIRECTOR | Bronwyn Lace MOMENTEUR FOR THE SO ACADEMY | Athena Mazarakis DIRECTOR OF CINEMATOGRAPHY & EDITOR | Noah Cohen SOUND DESIGNER & ENGINEER | Zain Vally ADMINISTRATOR & STAGE MANAGER | Dimakatso Motholo SPACE MANAGER AND COSTUMES & PROPS ASSISTANT | Gracious Dube PUBLIC COMMUNICATIONS LIAISON | Hayleigh Evans PHOTOGRAPHER | Zivanai Matangi LIVESTREAM ENGINEER | Chris-Waldo de Wet JUNIOR CINEMATOGRAPHER | Bukhosibakhe Kelvin Khosa LIGHTING DESIGNER | Wesley France LIGHTING ENGINEER | Matthews Phala LIGHTING ASSISTANT | Bongani Mpofu LIGHTING EQUIPMENT | Gearhouse Split Beam (Pty) Ltd SOUND ENGINEERING | Soulfire Studios FRONT OF HOUSE | POPArt Productions PROCESS WRITER | David Mann WEBSITE & UPLOADS MANAGER | Niamh Walsh-Vorster Special thanks: Linda Leibowitz Natalie Dembo Anne McIlleron Anne Blom Taryn Buccellato Joy Woolcott Chris-Waldo de Wet Jacques van Staden Joey Netshiombo Diego Sillands Thandi Mzizi Nkabinde